Archive for July 2015
Carlos Gomez Not Traded; Brewers Nation Shakes its Head
Carlos Gomez remains a Brewer.
This may not seem very surprising, if you weren’t following MLB Network last night. They, among others, had reported that the Milwaukee Brewers were about to trade Carlos Gomez to the New York Mets in exchange for pitcher Zack Wheeler and infielder Wilmer Flores. (Wheeler is on the disabled list with Tommy John surgery, and Flores is playing out of position at shortstop; he’s projected to be a power hitter in the major leagues, possibly at the third base position.) The deal was reported as all but done, pending physicals…
Then Sandy Alderson, GM of the Mets, said this: “The deal will not transpire.”
Huh?
After all that, there are now conflicting reports saying that the Mets did not like Carlos Gomez’s health issues of the past season. And that the Brewers didn’t like the extensive arm surgery Wheeler endured.
Whatever the truth is, the only thing this Brewers fan knows is that Gomez remains in a Brewers uniform. Which is, on balance, a good thing.
Look. I get annoyed sometimes with Gomez because of his baserunning blunders and his propensity to strike out. But he’s an outstanding outfielder, and his defense makes up for a lot.
This trade, from my perspective, made very little sense for two reasons.
First, if you trade Gomez and then trade Gerardo Parra (long rumored to be on his way out of town due to his contact being up at the end of the year), who is going to play center field?
I mean, look at who’s left on the team. You have Ryan Braun, Shane Peterson, and Khris Davis left. Braun is the fastest of them, but he’s not a center fielder and has been dealing with back spasms lately. Peterson is a decent left fielder who possibly would be better off at first base, long-term. And Davis, while he does have some speed in the outfield, cannot throw to save his life.
None of them are well-suited to playing center field. Which means the Brewers would either have to trade for someone, or they’d have to bring up the only pure center fielder in the Brewers organization: Logan Schafer.
And Schafer has had multiple opportunities to show he can hit major league pitching…and hasn’t managed to convince me or anyone else that he can.
Second, Zack Wheeler is on the DL and can’t help anyone for at least another full year. (I’m sure Brewers fans remember just how long it took Chris Capuano and Ben Sheets to recover from arm surgery; well, we’re looking at a similar time-frame for Wheeler.) Even if Wheeler comes back fully from his Tommy John procedure, he’ll have to relearn his arm mechanics and possibly have to reinvent himself as a pitcher. (Stephen Strasburg is struggling with doing just that right now, which shows that recovery from Tommy John is not as automatic as some make it out to be.)
So here’s where we stand, Brewers fans:
Carlos Gomez remains on the team, meaning Milwaukee continues to have a solid-to-better center fielder patrolling the outfield.
And both the Brewers and Mets have leaked conflicting information regarding the proposed trade, so no one’s completely sure exactly why this proposed trade was nixed.
What a mess.
Five Star Treatment – To Survive the Maelstrom – by Barb Caffrey
I’d meant to get this up a few days ago when the sale was still ongoing…but my computer upped and died.
(It took a few days for me to get back up and running, but here I am again.)
Thanks much to Sally Cronin, who let people know about “To Survive the Maelstrom” being out there — and about Pat Patterson’s wonderful review!
My Guest Post at Chris the Story-Reading Ape’s Blog Is Up…
Folks, as promised, here’s the link to the guest post I did for Chris the Story-Reading Ape’s very busy blog. Here’s a bit from that blog post, to whet your interest:
So I wrote for my graduate collegiate newspaper as well, the Daily Nebraskan. I wrote more poetry. And I started, haltingly, writing a bodyswitch story I called CHANGING FACES; it quickly morphed into a transgender romance, with aliens who may as well be angels…I’d anticipated the market about fourteen years too early. (Quite literally, as the story will be coming out later this year…but I digress.)
Something good happened while I was writing this first draft. I met my husband Michael, who was already an accomplished writer and editor. He loved what he saw of CHANGING FACES, and he was encouraging. I was making all sorts of mistakes in fiction – you name it, I probably made it. But he gave me excellent feedback (not all of it was positive, but all of it was constructive), and I learned.
I also fell in love with him, which changed me as a writer. It gave me depth, and resonance, and made me believe love was possible. (After two failed marriages behind me, I’d kind of lost sight of all that.) And because Michael and I laughed often, I wanted to make other people laugh, too…so I wrote a huge cross-genre book called ELFY. (And I do mean cross-genre: it’s young adult comic fantasy/mystery/romance with alternate universes and Shakespearean allusions. Say that five times fast.)
Now, if I had this to write over again, I’d say “college newspaper” rather than collegiate. (Ah, Editor Voice never shuts up.) But otherwise, I’m happy with what I said here.
Because Chris likes a different sort of approach than other guest blogs, I tried to give his audience an introduction to who I am along with what I do. I found it very difficult to do this; as I said at the top of this blog post, I’d rather hide behind my saxophone than talk about myself (at least in this way).
It’s far, far easier for me to talk about ideas. Things that matter to me. Or better yet, the people who have mattered most to me — my husband Michael, and my best friend Jeff Wilson first among them.
It’s very hard to explain why I do anything, other than that I find it important and I hope others will like what I’m doing as well.
Anyway, I do hope you’ll enjoy my guest blog over at Chris’s busy web establishment. Let me know what you think.
Just Reviewed “Ty Cobb: A Terrible Beauty” at SBR
Folks, I wanted to point your attention toward my latest book review of Charles Leerhsen’s TY COBB: A Terrible Beauty, which is up right now over at Shiny Book Review (SBR for short, as always).
Now, why am I so proud of this review?
I think it has to do with two things. One, Mr. Leerhsen’s baseball scholarship is superb. And two, I was pleased to realize, after reading Leerhsen’s book, that Cobb was not at all the virulent racist he’d been portrayed to be.
See, all of the stuff I thought I knew about Cobb was wrong — well, except for the actual baseball facts. (I knew Cobb hit .367 as a lifetime batting average, for example, and was the all-time hits leader until Pete Rose moved past him in the mid-1980s.)
Basically, Ty Cobb, since his death in 1961, has been the victim of a shoddy narrative. Apparently his “biographer” Al Stump was no such thing; instead, Stump invented the wildest flights of fancy about Cobb, figuring that as there was almost no film or still pictures or even radio accounts of Cobb’s play, Stump could do as he liked and no one would be the wiser.
Besides, monsters sell. So Stump made Cobb a monster.
Leerhsen proved just how fallacious Stump’s account actually was by going back and reading all of the various newspaper reports, which were readily available in the archives. (Thank goodness for archives, eh?) Stump made so many erroneous assumptions that it’s hard to believe Stump didn’t know what he was writing was dead wrong; in fact, Cobb himself was in the midst of a lawsuit at the time of his death, because he’d gotten wind of what Stump was about to do to him in the guise of Cobb’s “autobiography” (which was ghost-written by Stump), and wanted no part of it.
The most egregious fallacy of Stump’s was to paint Cobb as a racist. Cobb was anything but — in fact, according to Leerhsen, Cobb used to sit in the dugout with players like Josh Gibson and Satchel Paige during Negro League games, and famously remarked that “The Negro (ballplayer) should be accepted, and not grudgingly but wholeheartedly.” And Cobb was a big fan of Roy Campanella’s, plus he enjoyed Willie Mays and Jackie Robinson.
And as far as being a mean, nasty, vicious old cuss — well, how mean, vicious and nasty could Ty Cobb have been if he was willing to help the young Joe DiMaggio out when Joe D. signed with the Yankees? (Cobb understood baseball contracts, and young Joe didn’t.) How mean was Cobb when he helped Campanella and his family out after “Campy” became paralyzed? And how vicious was Cobb when, after his playing days were over and he had nothing at all to gain by it, he and Babe Ruth became fast friends?
Leerhsen has dozens of stories about Cobb, and very few of them depict anything close to the man Stump portrayed (and Tommy Lee Jones later masterfully acted in the movie version, Cobb).
While Cobb was a difficult man to know — he was prickly, quick to anger, and settled things with his fists more than once — he was not a monster.
Instead, Cobb appears to be the victim of one of the worst narrative frames in the history of all narrative-framing.
So do, please, read my review of Charles Leerhsen’s book TY COBB: A Terrible Beauty. Then please, if you have any interest whatsoever in early 1900s to the “Roaring Twenties” Americana, baseball history, or just want to find out what’s actually the truth about Ty Cobb, go read his masterful book for yourself.
Friday Fun! Cover Reveal for CHANGING FACES, Coming in the Fall of 2015
Folks, with all the turmoil going on in the world these days, I wanted to share some good news.
The cover for my contemporary fantasy/romance novel CHANGING FACES is already here! (In other words: Time for a cover reveal.)
Take a look at this cover, courtesy of cover artist Tamian Wood. (Isn’t it great?)
The two faces being depicted are those of Allen Bridgeway, Master’s student in clarinet performance at (fictional) Willa Cather University in Lincoln, Nebraska, and Elaine Foster, Allen’s fiancée and fellow clarinetist at Willa Cather U. (Elaine starts off as an English Master’s student.)
Now, why do I call this book CHANGING FACES? It’s because Allen and Elaine are about to change places with one another…and it comes about because of two aliens who may as well be angels.
Why do these aliens/angels decide that Allen needs to be in Elaine’s body, and Elaine in Allen’s? Well, these two musicians have had a very tough time of it. Elaine, years ago, was brutally raped while still a child in the foster system. (She had another name, then; she chose the name “Elaine Foster” afterward.) She’s been with Allen for years, wants to marry him…but cannot accept her own body or her body’s responses.
Deep inside, she thinks she’d rather be a man. But she loves Allen. If only her body didn’t keep giving her fits…and then she tells Allen something devastating: Even though she loves him, she has to leave. She can’t go on living like this.
So they get in the car. It’s mid-December, and the roads are icy. And they get into a car accident. A bad one.
When Allen wakes up in the hospital, he’s in Elaine’s body (as the aliens/angels performed a body-switch). He’s still male, but now he looks female. And he’s dealing with a multitude of injuries, including a concussion, so he doesn’t really know what to do. But he’s still Allen inside, even though he can’t seem to tell anyone.
And when Elaine “wakes,” she’s actually inside Allen’s body but doesn’t know it. She’s not awake at all, you see; she needs to talk with one of the aliens/angels, but as this particular entity is an Amorphous Mass, it has trouble representing in the physical world. (BTW, Elaine quickly decides to call the Mass “Moe” — for “Mass of Ectoplasm,” out of the Ghostbusters movie).
What will these two lovers do, now that they are in this predicament? Will it actually help Elaine to know she’s now outwardly male — that is, if she can ever wake up from the coma? And how will Allen react, now that the world thinks he’s female?
One thing’s clear, however: When you have found your soulmate, the universe will do almost anything to keep you together. Even change your faces.
———-
Before anyone asks, I still do not have cover art for A LITTLE ELFY IN BIG TROUBLE. The best guesstimate for when the second half of the Elfy duology will come out is early October, whereas the best guesstimate for CHANGING FACES is probably early November.
Happy Friday!