More Musing About Editing

Most of my life, I’ve worked hard at being a reliable, steady person.

(My family might laugh at this, but it’s the truth.)

A big part of that is embodied by the phrase “finish what you start.” And I try to do that with everything I do, even if it takes me longer as a writer to finish things than I’d like…even if my overall writing process has changed drastically since my late husband died, and I’ve never quite regained my fluidity or facility since.

It’s easier with editing, mind. For whatever reason, my mind goes into a mode there where I can see the story, manipulate the story (or at least ask the author to manipulate it for me), fix what needs fixing, suggest what needs suggesting, and try to do the best job I possibly can for my editorial clients.

Working hard is important. Even if I’m the only one who knows how hard I’m working, I still want to work hard, do everything possible, and make a positive difference in someone’s life. Even if it’s “just” in helping them realize their own artistic vision a little better, with a bit more clarity and sharpness…because these things are important, too.

A good friend, years ago, told me that when I started editing, I’d see manuscripts — even my own — differently. It’s a hard thing to turn off, Editorial Vision (or as I call it, “Editor Voice”), and that can get in the way of my own writing.

Mind, I do appreciate Editor Voice. I can do many things with it that others can’t. Including, of all things, being able to look at a manuscript as if I’ve never seen it before, even if I’ve seen it several times in the past. This ability seems unusual; the other good friends of mine who are editors don’t report having this type of track, though they have other things that work just fine for them.

(I also see, at the same time, what I’ve done, what I want to do, and what the author hopes me to do if I haven’t already figured out a way to do that, which makes it a way of looking at a story in two ways: with great knowledge, and with almost no knowledge. I call it a “dual-level ability.”)

I take what I do seriously. (Maybe too seriously, at times. Though I also try to be humorous when I can…or at least laugh, as life is too short to live it without laughter. Really.) I give everything I’ve got, and then some, toward helping others find their unique voices, and give them (in the buzzword of the moment) “agency.”

I’m glad to do whatever I can to help my clients, most of whom become good friends in the process, tell the best stories they need to tell, in the clearest and most distinct manner they can possibly tell their stories.

And otherwise, when I write? I try to tell myself I don’t have to do everything today. If I get down at least some of what I need, I can add to it tomorrow. Refine it. Maybe reimagine it, if need be…work with what I have, and make it as strong and resilient a story as I can make it. And tell the stories I need to tell, too, so I can say with good grace to clients that I know exactly how they feel, as I, too, have been there. (Been there, done that, bought the T-shirt, etc.)

That’s what I’m thinking about, now, as I continue my journey forward.

Oh, one more thing…next week, I’m going to tell you about the newest anthology I’ve placed a story in. So don’t go anywhere…I’ll have a table of contents, even, to pass around. (Yes, I am a working writer. Thank God/dess.)

What’s going on with y’all? (Tell me in the comments.)