Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

Archive for December 4th, 2020

Who Edits the Editor?

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As I wanted to talk about editing today — especially since I’ve been doing a great deal of it over the past few weeks (thus almost no blogs) — I figured a catchy title might lure you in. (Did it work?)

Anyway, the question of “who edits for you, Barb?” has come up among my devoted readership. And as the answer is complicated**, I thought I could maybe make a blog out of this, remind you all I’m still alive and kicking, and help give you some idea of what I go through when I talk with my editor(s).

I am fortunate to have two very good mentors. Both are excellent editors in their own right. They are so good, that when I feel overloaded, I tell people to please check with them. (As they are both in high demand themselves, I am not going to name them. But trust me: they exist, and they’re damned good.)

Now, because I haven’t had anything ready to go for over a year, I mostly have just talked with my mentors over this when they have been able to come up for air. I trust them, I trust their judgment, and I believe them when they say something needs to be cut, something needs to be added, and/or something needs to be changed.

Because I can speak frankly with them, I try to offer the same level of frankness to my editorial clients. I want those who deal with me to know they can trust me, and my judgment, and be able to bounce ideas off me if they’re in distress…or even if they aren’t, and just want to chat about stories with someone they know who “gets it.”

But frankness does not necessarily equal bluntness. (Trust me, though; I can be quite blunt, when need be.) It does mean I try to give praise as well as criticism, and I hope my critiques are constructive rather than destructive. And it also means that I do my best to let my clients know I understand their stories, and what they’re going for; if I didn’t, how could I possibly do any good for them?

My view, as an editor, is to help my clients refine and improve their own work. I want them to sound like the very best versions of their writing style, in order to bring out all the specialness and sense of wonder they have in their own creation, while polishing up the various rough edges as much as I can without taking the freshness/uniqueness of their viewpoints out.

And what I look for in an editor, and have been privileged to find it with two wonderful editors who happen to be my friends, boils down to this:

  1. How well do they communicate?
  2. How well do they understand what I’m doing?
  3. How can they best help me help myself?

Ultimately, it all comes down to trust. Without trust, there is no communication; without trust, there is no understanding; without trust, there is no willingness to work together to find better solutions.

So I urge you, when looking for an editor, to find someone you can trust who has the skills you need in order to help you polish your work to its utmost.

And if you, like me, manage to find a good friend in your editor(s), so much the better.

———

**As I said, the answer is a bit complicated. I, myself, can look at something if I’ve had some time in between me writing it and me going to edit it and get the ball rolling. But unless time is pressing and my editor-friends are unavailable, I am going to ask one or both of them to help me every single time. Because I’m not stupid; I know I tend to see what I think is there, rather than what actually is.

And I do this for the same reason everyone else does. I have it set in my head that I wrote X, which means I’ll only see X. But I might actually have Y, Z, AA, BB, CC, DD, or something totally incomprehensible…which is why I, too, need editing. (You expected me to say anything else?)

Written by Barb Caffrey

December 4, 2020 at 5:39 am