Archive for the ‘Editing’ Category
It’s Sunday, so I thought I’d try a different type of post today.
What do we do, as writers, and as people, when we have to make a difficult choice?
In our writing, sometimes we have snippets of dialogue and characterization that leap off the page, but don’t go with anything in the story. What do we do with it, then?
And in life, we never seem to get exactly what we want. The people around us — and we, ourselves, for that matter — make bad decisions from time to time. Or maybe they make good decisions for them, but bad ones for us…because they’re human, and they make mistakes. (Just as we do, but I digress.)
In writing, it’s easier to figure out what you’re going to do with a difficult decision. First, you can turn that snappy dialogue or great characterization into a new story that doesn’t conflict with the one you already have. Second, if that doesn’t work, you can simply excise it — the whole “kill your darlings” thing that all writers know, and all writers hate. And third, you can try to find a way to incorporate the good stuff into your manuscript anyway…though that last is the most difficult choice of all, as if it had been easy, that bit that stands out but doesn’t go with anything would’ve been incorporated already.
Note I said “easier.” It’s still not easy. You have to think, long and hard, about what you’re going to do, and make a choice that you have to live with.
In life, sometimes we can only react to what is put in front of us. Where we are today might not be at all where we want to be. (I think I can safely say that, under the circumstances; if I had my druthers, my husband would still be alive, we’d be about to celebrate fifteen years of marriage, and we’d have I don’t know how many books out, together and separately.) Because we’re in uncharted territory, we don’t know what to do, and we feel our way toward the best solution possible.
We have to have faith in ourselves that we can find a good answer, even when the question itself seems like it has no answer. We have to believe that we can reason our way out, think our way out, know ourselves well enough that we can stay on an even keel while everything around us feels unsteady, almost as if we’re enduring a long-lasting earthquake that doesn’t quite — quite — swallow us whole.
This is hard.
It’s especially difficult for our friends, who watch as we struggle, and give advice, and give comfort and support, and try to do their best to help you keep your body and soul together another day, so you can continue the fight.
But ultimately, the choices you make are up to you. You have to live with them.
So please, make your best decisions. Use your reason as well as your gut reaction. And then act accordingly…knowing full well that you can revisit your decision if and when the situation changes.
What do you do when you face a difficult choice, in writing or in life? Let me know in the comments.
…whether it’s about you, personally, or, as in this case, about you as an editor.
(What, you thought I’d be talking about something else? For shame…the summer romance bug hasn’t bitten me in a long, long time. Though I suppose it’s still possible…but I digress. Back to the blog.)
Folks, I’m very happy to pass along the following link from an interview author Kayelle Allen did with authorsinterviews (a WordPress site). Kayelle kindly mentioned me, and especially my editing. She didn’t have to do that. The interview was all about her, and about her excellent book, BRINGER OF CHAOS: THE ORIGIN OF PIETAS.
In response to the interviewer’s question about “one entity who supported you outside of family members,” Kayelle discussed her friend, writer Houston Havens, and then said this:
And Barb Caffrey, my editor. She’s a brilliant writer in her own right, but she sees details that I would have missed. She suggests slight changes that make all the difference in a scene. Often, simply the change of structure in a sentence can put an all new slant on a scene. I recommend her as both author and editor.
Thank you, Kayelle!
As I have said before, if you haven’t read Kayelle’s book yet, you should. It’s a military SF/action-adventure/bromance like no other. I said once to Kayelle that Pietas starts out almost like the ultimate bad guy, but he’s not; he’s complex, multifaceted, multi-layered, and in some ways, very human despite his genetic engineering and overall socialization/conditioning. That he makes common cause with Six, a guy who amounts to a Special Forces operative in the far future — reanimated, ’cause hey, it’s SF and you can get away with that (and why not?) — and has to learn that at least one human being is worthy of his friendship is…startling. That Pietas can be friends and admit to vulnerability and loss and frustration like anyone else despite all of his abilities at regeneration and immortality is, in an odd way, extremely moving. Pietas wants no pity. But he does want, ultimately, your understanding…hoping there may be one other human out there like Six who’s worth one iota of his time.
Why his people, the Ultras, feel this way toward non-altered humans is for you to read. But I think you will want to read it, if you enjoy milSF/action-adventure.
Now, as to what I did for Kayelle as an editor? She’s a very accomplished writer who turned in a sparkling-clean manuscript. A copy-edit, in her case, was more, “How can I help you make this section over here stand out a little more?” or “Did you ever consider X instead of Y” in a different place. I tried to give her a few options, and did my best to smooth out the (very few) rough spots.
My whole editorial philosophy, in a nutshell, is to help my client strengthen his/her authentic voice. If I make every book I edit sound like my style, that is doing my clients a disservice. And if I make every book I edit look and sound like something I’ve already seen — even if it’s from a widely acknowledged SF/F master writer like Stephen R. Donaldson or Lois McMaster Bujold — that, too, is doing my clients a disservice.
The trick in editing is to figure out what your client’s voice is, then strengthen it. That’s what works best.
Yes, fix all the typos and the grammar and punctuation, address all the stylistic concerns**, all that. But make the book better. Don’t just put in the hours…figure out what that book’s story actually is, and enhance it.
Otherwise, what are you doing?
Now, considering I am an independent editor, I can only suggest the changes rather than require them. But I’m reasonably persuasive in my arguments, and usually can point to various books or stories of my own or others and say, “What I’d like you to consider is X. What you did is Y. Maybe you don’t want to do X, but can you do Z instead?”
Anyway. I appreciate what Kayelle said. She’s the third editorial client I’ve had who’s publicly said she appreciates my editing. (The others, by the way, are Chris Nuttall and Dora Machado.) Most of the time, editors are treated more like furniture than an essential part of what goes into a book, so I’ve appreciated it immensely when someone recommends me as an editor…it means more than I can possibly say.
**Sample stylistic concern: “You give Doctor Evil ‘s title as ‘Doctor’ in one section, but ‘Dr.’ in another. I don’t care which one you pick, but for ease of reading, it’s usually better to pick only one.” (This seems picayune, but can make all the difference to a self-published novel in looking professional — or looking like you just fell off the turnip truck.)
Folks, I’m glad to have finally written an update…and it’s up at my Patreon page.
What’s Patreon, you ask? It’s a place where you can support writers, artists, musicians, or other creative types…it’s a very old idea done in a very new, 21st Century way.
I know I’ve been very behindhand on explaining what’s going on. There’s a reason for that. If I think too much about the circumstances that surround me — the fact that my living situation is not fully under my control, and that I am unable to affect the outcome very much at all — I can’t create. And that would be lethal, especially as I grow closer to completing CHANGING FACES at long last…I have to get that book done, there’s no two ways about it.
So, I’m going to cut and paste from my own post at Patreon, that I just put up less than fifteen minutes ago:
Unfortunately, since I last posted, very little has changed. My living situation — it’s hard to know what I can say about it, because I’m not the only one affected, but suffice it to say that from day to day I barely know where I’m going to be. This is frustrating and confusing, and it’s not exactly conducive to creativity.
As for how I’m doing/feeling? I fight exhaustion. I fight the feeling of inertia, of nothing changing, of still being in a reasonably unstable situation and being almost completely unable to affect it…and it’s extremely frustrating and disquieting.
I know that I’m doing everything I possibly can to positively affect this outcome. As I said at my long-delayed update over at Patreon, I have edited five books in the last two-plus months, and I’ve written 20,000 words. These are good things, and I’m proud of these accomplishments.
In addition, I played a concert on Sunday night with the Racine Concert Band at the Racine Zoo (though I wasn’t able to play the parade, alas, on Monday as I’d planned). We had an enthusiastic crowd, as we always do — free summer concerts have resumed, and will be held at the Zoo every Sunday night at 7:30 in July, and at 7:00 in August (through August 14, 2016).
I’m not able to play at the same level I could years ago, mind, but I can still play well most of the time. I’d prefer to have some solos now and again, but that rarely happens…still, I’m glad to be able to play, and I think I add something, even when I’m playing the second part and it seems like no one pays attention to me being there besides my stand-partner.
So, I’m trying. I have a temporary situation, and am trying to look on the bright side. (Though sometimes I want to kick whoever started that whole idea squarely in the nether region. Why can’t we admit just for one minute that things are bleak, but we’re going to do our best every day anyway?)
I do know that life can change, sometimes on what seems to be an instant. And it’s very possible that all the hard work I’ve done will lead to something much better…my husband believed that, my best friend Jeff Wilson believed that, too, and my friends now firmly believe that as well.
Who am I to say they’re wrong?
Anyway, if you want to help support me get through this rough patch, you can go to my Patreon page and make a pledge…or, if you wish to support me privately, let me know and I’ll give you my PayPal address. (And thank you very much for even considering this oblique request. It truly is the best I can do right now.)
Folks, I know I’ve not blogged very much in the past week or two. I’ve been working on a big project, and now that it’s out I can talk about it.
That project is Chris Nuttall’s newest novel in his Schooled in Magic series, INFINITE REGRESS. In it, his heroine, Emily, must deal with a new headmaster, romantic complications with her long-term boyfriend Caleb, her own, burgeoning magic, and some hints of a long dormant, malevolent power underneath her school, Whitehall.
Now, if you’re unaware of this series, you’re in for a treat. Emily, you see, is an American girl who was brought to a magical realm by a necromancer. She won free of the necromancer, made an alliance with an enigmatic sorcerer, Void, and ever since has run into a variety of circumstances that have tested her, her power, and her other abilities at every turn. Because of her practical knowledge, garnered from our Earth, she’s become a wealthy woman; she’s even been named a Baroness by another kingdom, Zangaria, though for the moment she’s set that duty down. (She never plans to go back there, in fact, but that’s for another book.) Emily is smart, resourceful, and would seem to have all the advantages…if you didn’t know she’s also autistic, and must deal with things in a slightly different way than others.
I edited INFINITE REGRESS, and am happy to recommend it to all lovers of fantasy.
Aside from that, I’ve done a little bit of writing and a whole lot of thinking about CHANGING FACES, which is still — still! — in progress. (Here I finally have people talking about my books, and waiting for one, and I am still fighting it out with same. Par for the course, I suppose.)
As far as everything else — the living situation is exactly the same as last reported. (No improvement, but no worse, either.) I don’t know what will happen there, and that unsettled feeling doesn’t help much when it comes to writing. (I can put it aside more easily as an editor, for whatever reason.) Much of this story isn’t mine to tell, so all I can say is this…I’m still trying, I still hope for better, and I haven’t given up.
But yes, it’s frustrating, not knowing where I’m going to be from day to day.
Anyway, that’s about all I can say right now. Do look for a new blog over the weekend, where I’ll be talking about Christine Amsden’s newest, KAITLIN’S TALE (yes, I edited that, too — why did you ask?), and will have a bit from the author herself about why she wrote it.
Folks, as I wound up my writing this evening/morning, I had a thought.
Yes, thoughts can be dangerous. But this one probably isn’t. In fact, this particular thought might actually be useful to those working on revising a story, and wondering just how long it’s going to take to fix it. Much less what sort of story you’re going to end up with once you’re done…and whether or not it has anything to do with the story you started with.
The revision process is daunting, you see. It’s also frustrating, nerve-wracking, confusing, sometimes painful, and downright difficult.
Mind, I’m not the only writer to say this. (Far, far from it.) Anne Lamott said this in her book BIRD BY BIRD; she even said that her own first drafts are so awful, she barely can stand looking at them. (My best paraphrase, mind, as I don’t have the book in front of me.)
But these painful first drafts are needed, you see. Only after you get down everything you visualize in your head can you work with the raw materials of your story…and figure out what, exactly, your story is.
Now, some writers work much faster than others, and everyone’s process is a little different. So I can’t give you a timetable as to how long it’s going to take to refine your story from the raw material of your first draft.
All I can do is give you a little encouragement, if you’re dealing with a revision right now. And remind you of three simple things:
- Every writer goes through this; you’re not alone.
- You do have a story there, no matter how obscured it seems right now.
- The end product is worth your time and investment, even though you can’t see that right now.
So, if you’re stuck in the throes of “revision Hell,” as I am right now with regards to CHANGING FACES, try to remember these three things. And ask yourself, “What is the story, and how do I advance it from here?”
That should help you get through the rough spots a little better.