A Brewers Update, a Personal Update…and a word about Chris Nuttall’s newest, THE CUNNING MAN

Folks, I am fighting yet another sinus infection. I am beyond tired of these sinus infections, to put it mildly. But all I can do is rest to tolerance, drink lots of fluids, get more rest, and work to tolerance after I regain enough energy to do so.

As far as music or writing goes (aside from this blog), nothing is getting done. (I did write 32 bars of music last weekend, though.) This is frustrating for me as a creative person, as when I can’t create things get bottled up inside.

The only solution I have is to rest. Again, I hate not being able to do much of anything. But I have to be smart, and I have to realize that my body is extremely worn out right now. Otherwise, I’ll just get sicker, and what good will that do for me or anyone else?

Never mind that. I want to talk about baseball, and I want to talk about books now.

Baseball first.

As I’m sure most of you are aware, my favorite baseball team is the Milwaukee Brewers. They have won the National League Central division, and will be going to the playoffs that start next week. (This week, they’re finishing the regular season, but they’re already locked in for the playoffs as it is. Nothing will change for the team as a whole.)

This has been a season of first, in some ways. There was a combined no-hitter, just the second no-hitter in Brewers baseball history (Corbin Burnes pitched eight innings, and closer extraordinaire Josh Hader pitched the ninth). The Brewers have been good at home but astonishingly good on the road, which almost never happens. And, oddly enough, the usually homerun-hitting Brewers have had to rely on outstanding pitching rather than offense as their offense has been downright offensive at times. (Sorry about the pun, but I couldn’t resist.)

So, the Brewers have better defense and better pitching than most of the rest of the National League. But their hitting is average or below for the most part, and their clutch hitting (hitting with runners in scoring position) isn’t as good as it should be.

What all that means is, when a player like shortstop Willy Adames needs time off to rest a nagging injury, that hurts the Brewers’ offensive capability as a team. When Lorenzo Cain takes a day off to rest, it also hurts for the same reasons. And while the highly-paid former MVP, Christian Yelich, continues to scuffle offensively, he does take walks and uses his speed to some effect…meaning he’s not a black hole, offensively speaking, but he’s not a shining light, either.

The Brewers offense, in short, needs every player to fire on all cylinders. If they don’t, the only way they can win is to rely on their pitching. With three starters among the top ten in ERA (Earned Run Average) as adjusted for time and innings pitched, and outstanding relievers Hader and Devin Williams, the Brewers have put together a formidable pitching staff.

Now, Williams found out he’d busted his hand while celebrating the Brewers division-clinching win over the New York Mets on Sunday. This means he’ll not be available, at best, for three weeks. And as that’s when the World Series is likely to be played, the Brewers will have to worry about it later while focusing on the first opponent (likely to be the Atlanta Braves, though the Philadelphia Phillies still have a mathematical shot to win their division instead and face the Brewers).

It won’t help the Brewers to have Williams sidelined. (He has apologized, according to the Milwaukee Journal-Sentinel, to his teammates.) But they’ll have to do the best they can as he heals up.

I’m looking forward to watching them in the postseason, and I do hope they’ll hit (for a change) as well as pitch well.

Shifting gears, let’s talk about books. Or at least one, specific book, that being Chris Nuttall’s THE CUNNING MAN, which is now out in e-book format. (Disclaimer: I edited this book and know it quite well.) He’s having some trouble with his website right now (though his blog is up), and thus he can’t get the word out in his usual ways. I figured I could perhaps help just a tad by letting you know it’s out.

Of course, you probably are wondering what the book is about. (It is entitled as a “Schooled In Magic” spinoff, but that isn’t a lot to go on if you haven’t read the Schooled in Magic series to begin with.) It stars Adam, a young man without the magical gift who has become quite interested in studying alchemy and magical theory. Thus, in many ways, he’s a man without a home. The magicians mostly disregard him, and the nonmagicians (“mundanes,” in Chris’s concept, as it is in many fantasy novels) don’t understand him.

Anyway, there’s one place that will take him as a possible apprentice. That place is Heart’s Eye University. A university is a new concept in the Nameless World (Chris’s environs; it has that name because for the most part magicians believe they should use use-names rather than real ones, as your real name being known can give someone unscrupulous power over you; this does not apply to nonmagical people, as there are plenty of ways to get power over a nonmagician already), and they are trying to blend mundane and magical solutions to good effect.

Once he’s there, it’s not a bed of roses, to put it mildly. He meets Lilith, who’s in an apprenticeship she hates (for reasons Adam doesn’t understand at first), and doesn’t know why anyone would want to study magic when they don’t have magic at all. So, as most people can’t stand Lilith, she falls in with Adam. And at first, the unlikely pairing does not do very well, as you might expect.

However, as both Adam and Lilith have adventures, they slowly start to realize they have more in common than not. (They both have ethics and principles, for example.) And Lilith’s worldview (that of magicians being on top because they have magic, AKA “magical supremacy”) starts to change quite a bit (as it should).

I’m going to stop there with a plot summary, but I hope that has intrigued you.

Otherwise, I have several edits in train, I am hoping to write some fiction somehow in the next few days, and I’ll be focusing on healing up so I can do all of these things as quickly as possible.

What are you all doing this week? Let me know in the comments! (And what books are you reading?)

What Makes a Good Story?

Recently, I wrote about Milwaukee Brewers relief pitcher John Axford, and I said that the way his story ended was not the way his story was supposed to go.

This begs the question: What makes for a good story, anyway?

By contemporary standards, what would’ve made Axford’s story much better would’ve been him coming into the game, striking out the side (or at least getting three outs), getting the save, and having the stadium rain cheers upon his head. (The crowd did cheer him when he came in — I think he may have even received a standing ovation — and cheered him on the way out, too, which is not usual when a pitcher is unable to get out of the inning. This last happened because we Brewers fans knew Axford well from his previous service with us, and knew he was deserving of such approbation due to how well he’d done before.)

In previous eras, though, they had stories such as MADAME BOVARY that sold a ton. Those stories would have characters put through the wringer and they’d never be able to come up for air; instead, even their children would be put through the wringer for no purpose, and would never be able to get ahead.

Why audiences appreciated such stories is beyond me, but that was the fashion at that time. The would-be heroine (or hero) had a tragic flaw (or two, or five), and because of that flaw would taint herself and everyone around her beyond any hope of redemption.

The fashion now tends more to happy endings, but well-deserved happy endings. Characters still get put through the wringer (see Lois McMaster Bujold’s MIRROR DANCE, or Katharine Eliska Kimbriel’s NIGHT CALLS, or any of Robert Jordan’s novels in the Wheel of Time series, among others), but they live to fight another day. They learn from their mistakes, too. And they continue on, having learned much more about themselves in the process.

Of course, the Harry Potter novels also exemplify this sort of story. Harry grows up to be a powerful magician, but he’s put through the wringer and must fight the big, bad, nasty, evil, and disgusting Lord Voldemort (and yes, I meant all those descriptions, as Voldemort is just that bad) in order to become the magician he needs to be. He and his friends Hermione and Ron are put through all sorts of awful things, but they eventually prevail.

My friend Chris Nuttall’s novels about Emily, starting with SCHOOLED IN MAGIC and continuing through to FACE OF THE ENEMY (with CHILD OF DESTINY coming soon), also have a plot that shows Emily being thrown into awful situation after awful situation, but she finds a way to prevail every time through hard work, effort, and a talent to get along with people even if they’ve crossed her (or she’s crossed them). Emily scans as a real person, and we care about her because she faces things most of us face even though we’re not magicians.

What are those things, you ask? Well, she has to learn from her own mistakes. She has to realize that she can’t fix everything and everyone. She has to find out that her snap judgments are not always correct. And she has to reevaluate people and situations, even when she doesn’t want to.

Of course, my own stories about Bruno and Sarah (AN ELFY ON THE LOOSE and A LITTLE ELFY IN BIG TROUBLE) have many of the same lessons. There are things Bruno can do, and does, once he realizes he’s been lied to about nearly everything. Sarah is in much the same boat, except she has different talents — complementary ones, in most cases — and the two of them have to find that they’re stronger together than they could ever be alone. But there are still things they can’t do, and they must make their peace with that (as every adult does), while continuing to work on the things they can.

In other words, they can control what is in their power to control. But they can’t control other people. (It would be wrong to do so, anyway. They have to make their own lives meaningful in whatever way they can, too. And make their own mistakes, as we all do…but I digress.)

Anyway, the stories I love best are those with happy endings. People sometimes start out with situations they don’t deserve (such as my friend Kayelle Allen’s character Izzorah, who went through a childhood illness that damaged his heart and nearly blinded him), but they get into better positions and find the people who can help them — maybe even love them the way they deserve. (Izzorah, for example, finds a treatment for his heart — it’s not a standard one, by any means, but it works in the context of the story — and finds love along the way in SURRENDER LOVE.)

So, to go back to the beginning of this blog, as we love happy endings and we want to see deserving people find good luck and happiness, the true ending we wanted for John Axford was to get the outs, get the cheers, bask in the glow of achieving his dreams once again at the baseball-advanced age of thirty-eight, and stay with the Brewers the rest of the season as they continue to make their run at postseason play.

That Axford was unable to achieve this happy ending was distressing. But all the hard work and effort he put into his return to the big leagues should still be celebrated. And my hope, overall, is that he will still be with the Brewers in one way or another after this season ends.

What makes for a good story? Do you agree or disagree with me, and if so, why? Tell me about it in the comments!

Introducing STAND AGAINST THE LIGHT, a Great YA Novel by George Phillies

Folks, I’m happy to introduce you to George Phillies’ newest novel, STAND AGAINST THE LIGHT. It’s a book about young superheroes, in a world where they know about such things; more specifically, it’s a book about twelve-year-old Eclipse, one of the baddest twelve-year-old girls you’re ever likely to meet (in the best of senses.) It’s an excellent book, the third in the “Eclipse: The Girl Who Saved the World” series, and I enjoyed editing it immensely.

(Note that I didn’t edit books one and two, but they are also excellent. You can get book one, ECLIPSE: THE GIRL WHO SAVED THE WORLD here for only ninety-nine cents, and book two, AIRY CASTLES ALL ABLAZE, here.)

Take a look at this gorgeous cover art by Brad Fraunfelter:

But you are probably wondering by this point, “Who is Eclipse, anyway?” Well, as I can’t do any better than George’s own blurb, take a gander at that:

Eclipse:
World’s greatest tween superhero.
World’s most terrifying tween supervillain.
Opinions differ.

She’s twelve. She’s hardworking, bright, self-reliant, good with tools,
vigorously physically fit, tough as nails, still young enough to
disguise herself as a boy. Since arriving she’s only blown up one
mountain range.  And she knows that when she faces the final doom, win
or lose, she will die trying.

I just loved working on this book, loved Eclipse, thought she was such a great character, and enjoyed everything about the milieu with the superheroes (called “personae” in their own universe). The best part of the book, though, were the friendships between Eclipse and the other young superheroes, most particularly with a girl named Trisha (persona name: Comet). And because I enjoyed the book so very, very much, I asked George for an excerpt, so you’d have some idea of just what you’re getting into — only in the best of senses! — and he obligingly sent the following:

Cloud stared at the wall clock.  Eclipse was supposed to appear in their
base in a few minutes.  Where was she?

“We’ll be ready in a moment, Cloud,” Comet said. “Just so soon as all
five of us are here.” Her wait was interrupted by the hitherto-unseen
Eclipse, who materialized in the room’s center. Her garb was freshly
washed and ironed.  Silver curls were precisely combed.  Her face was
the image of tranquility.

Star almost made a comment about girls needing to do their hair before a
fight, then bit his tongue.  When Eclipse walked, she left a trail of
power that rippled the space behind her. She moved her hands.  The air
through which her fingers passed curdled, warped by eddies and whorls
from half-called gifts. Looking near her was like staring at hot
pavement on a sunbright day. The slightest hint of screens flickered
above her garb, violet spiderwebs tracing the pattern of her motif.

“Sorry if I needed a little longer.” Eclipse’s voice was remote, as
though she no longer lived only in the here and now. “Calling the deeper
levels is more safely done through slowness and tranquility. Is all else
prepared?  Aurora?  Comet?”

The younger girl posed, arms outstretched, fading behind the pyramid and
eye that marked her powers’ manifestation. *Eclipse?  They’re a mile
down, spread along that mountain range, except that city. Their
tunnels…that mountain range is hollowed out, with barely enough rock
left to keep it from collapsing.  There! That’s all of them in Tibet,
`cept relay stations.  [Images of rock tunnels, a tracery penetrating to
the roots of the Himalayas.]  Rock’s laced with screens!*

Eclipse’s screens appeared, bright as a magnesium flare as they enfolded
her and Comet, burning the violet usually reserved for morning glories.

“We’re invisible…Now!” Comet shouted.  The two girls vanished.

“You’re invisible,” Star confirmed.

Eclipse’s teleport transported the two of them.  They hovered in the
upper air over the Tibetan High Plateau.

“How can you do this?” Comet asked. “Those mountains are huge.”

Eclipse smiled grimly. *I cheat.* This is Pickering’s world, she told
herself, not even understanding what they’re facing.  Saving them all
depends on me.  She shuddered at the name of the levels she would need.
*Lucky for us, I find breaking things real easy.* She reached into the
core of her being, deeper than the Fall of Crystal, deeper than the
Tomb, deeper than the Hall of the Lidless Eye. Deeper.  Deeper.  Beyond
the Straight Circle.  Beyond the warm touch of the Solid Rainbow.  All
the way to the bottom of the Well of Infinity.

A column of pure energy stabbed downwards from her right hand, piercing
thousands of feet of stone and tens of intertwined defense screens like
a surgeon’s needle lancing a troublesome boil.  Hidden chambers carved
from living rock were brilliantly lit, their contents transformed in
microseconds into incandescent gas.

Tibetan Empire defenses engaged. Colossal explosions shredded the air
around Eclipse and Comet.  Shock waves rolled out in all directions. 
Superheated fireballs, blindingly bright, rose through the stratosphere,
punching a hole in the sky above as they rose far into the ionosphere. 
Comet, frightened, leaned into Eclipse’s shoulder.

*Trisha,* Eclipse thought, *Don’t be afraid of these clowns. We’re
good.  Give me a little more space, please?*

Comet drifted back.

Eclipse summoned the full depth of her gifts.  For tens of seconds her
plasma torch probed through granite, a torrent of power momentarily
absorbed by the enormous mass of the mountains.

The Himalayan massif exploded.  A column of superheated gas burst
skywards, carrying with it an entire line of mountains transformed to
incandescent ash.  Steep cliff sides, crushed to white-hot sand, blew
out in all directions.  Shock waves tore through the bedrock, the ground
of the surrounding valleys rolling in great waves as majestic as the
swells of the distant Indian Ocean.

Eclipse focused her thoughts on holding her own screens against the
geological catastrophe she had created.  Her own attack lanced down,
deeper and deeper, striking to the ultimate core of the fortress beneath
her.

Comet managed a last glimpse of the doomed City of the Sun, a city whose
rigidly mathematical lines blurred under the impact of impact of earth
shocks, then disappeared behind falling rocks and clouds of glowing
ash.  She squeezed her eyes shut, knowing that her last images of the
City, architecture crumbling like a matchwood ship hurled against the
coast by gale-driven waves, would be with her until her life’s end.

From Chapter Forty-Four, Waging Peace Through Unlimited Firepower, STAND AGAINST THE LIGHT by George Phillies

At any rate, I hope you’ve enjoyed the excerpt, the cover art, and my blog…now, go to Amazon and get the e-books! (Again, book one, ECLIPSE: The Girl Who Saved the World, is only ninety-nine cents today.)

Chris Nuttall’s Newest Book, STUCK IN MAGIC, Is Out…

Folks, Chris Nuttall is a good friend of mine, and also an editorial client. I lead with that, because I recently edited his newest novel, STUCK IN MAGIC, for the reinvigorated Henchman Press.

This book is a spinoff of Chris’s popular Schooled in Magic universe (which so far has spawned 23 full novels, at least five novellas, and a few other short stories). Instead of starring Emily, a girl from Kansas in our world who finds out she has magic (and thus can change her new world), it stars Elliot, also an American from our time and place. He is a military man, describes himself as “big, black, and beefy,” and one day he’s driving along the Interstate, very angry at his cheating wife. Before he knows it, his car is wrecked, he’s in the middle of a primeval forest, and a young woman — not Emily — has worked a spell so he can understand the local language.

Mind you, Elliot quickly figures out there has to have been someone from our world who’s shown up there, as books use English letters and numbers use Arabic numerals. There also are “new” inventions — new to the Nameless World, anyway — of muskets, flintlocks, and steam engine-driven trains. (All of these are thanks to Emily, but of course Elliot cannot know that.)

Elliot has no magic at all. What he has are his quick mind, his military knowledge (including knowing a great deal of military history), and how to fight insurgents bent only on his destruction. (No, he’s not faced actual magicians before. But he has faced insurgents galore in “the Sandbox,” i.e., Afghanistan, Iraq, and quite possibly Pakistan as well.)

So, what would you do, if you ended up stuck in magic? How would you deal with the wrenching sense of loss, of losing everything including that of the world of your birth, when you don’t have a major talent (as Emily does)? Would you be able to adapt?

At any rate, the ebook came out at lightspeed, and is out now. (Here’s a link from Amazon, in case you’re interested.) And the cover art is spectacular. You have to see this. (Thank artist Lydia Kurnia for coming up with this great cover.)

So, go forth, and read this! (You’ll be glad you did.)