Moving Along…and Discussion about the Esquire “Best Fantasy” List

Folks, the last few weeks at Chez Caffrey have been unusual, to say the least.

Somehow, I came down with a middle-ear infection. This has caused me a great deal of trouble with regards to moving around or doing much of anything, unless it’s of a mental nature. (Fortunately, as a writer and editor, most of the work I do is exactly that.)

I had two pressing edits along with several more that are urgent, and I didn’t want to say anything until those two most-pressing edits were done and “in the can.” (An aside: if our work on the computer is made up solely of electrical particles, can we actually say something is in the can anymore?)

Why?

Mostly, because I didn’t want my clients to think I was going to bail on them. But partly, I was conserving my strength and stamina to finish up the work I had to do, and to prepare for the next urgent edits. (There are three more on the table, and only one will be knocked out by the end of the weekend. The other two are longer and larger projects that I’ve devoted a good deal of time to in the past, but still require more from me before I can send them on to their authors.)

Anyway, the middle-ear infection has left me feeling weak, shaky, off-balance, and more than a bit nervous. I’ve never had this happen before, as usually I will get sinus infections or have asthma attacks or some sort of weird allergic reaction/response.

Fortunately, I have been able to think and work. And I am on the mend, finally, which is why I’m even talking about it today.

Otherwise, I wanted to mention the Esquire “50 Best Fantasy Books of All Time” list. (If you haven’t seen this yet, take a look after I’ve written the next part, and see if you agree with me.)

That half of them are books that don’t appeal to me or frankly aren’t SF&F at all (including the wonderful book CIRCE; it’s a great book, and I recommend that you read it, but it truly is not SF&F) is part of the problem. That many of these authors are not all-time greats is the rest of the problem.

Anne McCaffrey’s not on this list. Stephen R. Donaldson’s not on this list. David and Leigh Eddings aren’t on this list. Mercedes Lackey isn’t represented, either. Neither is Andre Norton. Nor is Marion Zimmer Bradley, Patricia A. McKillip, Ray Bradbury, Terry Pratchett, or Poul Anderson. (Edited to add: Where are Philip K. Dick, Philip Jose Farmer, and Roger Zelazny? Shouldn’t they all be there?)

And what about Margaret Atwood? Or Connie Willis?

The worst and most egregious contemporary writer missing from this list is Lois McMaster Bujold, who is a grand master of SF&F. (Hint: There are at least five more grand masters above on this list that were not represented at all.)

And if you’re going to mention contemporary SF&F authors, where’s Katherine Addison? Where’s Jacqueline Carey? Or the even heavier hitter, J.K. Rowling?

As for other authors I know and read regularly, Sharon Lee and Steve Miller aren’t on this list. (Arguably, the Liaden Universe books could probably be called fantasy by some, and I’d rather have something much closer to fantasy than Circe.) Rosemary Edghill isn’t on this list. Neither is Katharine Eliska Kimbriel.

So, you may be wondering which books I felt should be on there. Because I believe books should be able to stand the test of time, I have excluded anyone who hasn’t had a twenty- to twenty-five year career in SF&F. (If I went with writers who’ve been active, say, for ten years or thereabouts, I’d have some editorial clients to put on the list. And that isn’t exactly unbiased…)

At any rate, here are the books I’d put in my personal top fifty from the Esquire list linked to above (or at least the author):

Ursula K. LeGuin — their pick is A Wizard of Earthsea; mine is The Lathe of Heaven

Octavia E. Butler — Kindred

C.S. Lewis — their pick is The Voyage of the Dawn Treader; mine is The Screwtape Letters

George R.R. Martin — A Game of Thrones

Susanna Clarke — Jonathan Strange and Mr. Norrell

J.R.R. Tolkien — The Fellowship of the Ring

L. Frank Baum — Ozma of Oz (it’s hard to pick just one Oz book)

Robert Jordan — The Shadow Rising

Neil Gaiman — Stardust (I’d put his and Terry Pratchett’s Good Omens on this list instead)

Friends of mine would agree with Brandon Sanderson’s selection on this list, and Gene Wolfe’s, and probably a few others. (Kelly Link is another fine choice.) I don’t disagree with these authors and their books as they’re interesting and worthy, but those are not the books I turn to most of the time. That’s why I didn’t add them into the mix.

So, I agree with nine of the authors and six of the choices they made for the self-same authors. I have no trouble with another three of the authors, and agree they should be represented somehow in the “best of” fantasy list.

But I’d personally add these:

Anne McCaffrey — The White Dragon (included in the omnibus The Dragonriders of Pern) and/or the Harper Hall YA trilogy (first book is Dragonsong)

Stephen R. Donaldson — A Man Rides Through (I’d not quibble with any of the novels about Thomas Covenant the Unbeliever, either)

Katharine Eliska Kimbriel — Night Calls

Lois McMaster Bujold — Paladin of Souls, The Curse of Chalion, many more

Rosemary Edghill– Paying the Piper at the Gates of Dawn (a short story collection that’s currently out of print, but used copies are available), or anything else she’s ever written. (She has a wonderful new novella available in Dreaming the Goddess that I’m quite keen on.)

Mercedes Lackey– By the Sword, the Vanyel Trilogy, Oathbreakers, or the original Heralds of Valdemar trilogy featuring Talia (or better yet, all of them)

J.K. Rowling — Harry Potter and the Half-Blood Prince (my personal favorite of the HP books)

Patricia C. Wrede — The Enchanted Forest Chronicles and/or Sorcery and Cecilia with Caroline Stevermer

Sharon Lee and Steve Miller — I Dare, Mouse and Dragon, or anything they’ve ever written

Edited to add:

Diana Wynne Jones — The Chronicles of Chrestomanci series (Volume 1 is here), and/or Hexwood (How did I forget her?)

Roger Zelazny — This Immortal

Philip K. Dick — The Man in the High Castle

Philip Jose Farmer — To Your Scattered Bodies Go (available in the omnibus Riverworld)

Andre Norton — Ice Crown (available in the omnibus Ice and Shadow), Forerunner Foray (available in the omnibus Warlock)

Poul Anderson — Brain Wave, Boat of a Million Years

Margaret Atwood — The Handmaid’s Tale

Ray Bradbury — Fahrenheit 451

Frederik Pohl and C.M. Kornbluth — The Space Merchants (not currently available in Kindle)

Connie Willis, Doomsday Book

All of the above authors are excellent. You can’t go wrong if you pick up their books. If you’re like me, you’ll read them again and again, too.

What are your favorite fantasy and/or SF&F novels? Did you agree with the Esquire list? Disagree with it? Partially agree but mostly are disgusted? Let me know in the comments!

New Guest Blog about Parallel Universes and the Elfyverse is Up

Folks, I have a new guest blog up at Stephanie Osborn’s blog, Comet Tales. It’s about parallel universes, and why I used this particular theory in AN ELFY ON THE LOOSE.

“But Barb,” I can hear you saying. “Why did you write this particular guest blog? Haven’t parallel universes been done to death in SF&F literature? What could you possibly say that’s new about that hoary old subject?”

Well, parallel universes have been used many times in science fiction. But they’ve only rarely been used in straight fantasy. And definitely not like this.

Here’s a bit from my guest blog that explains why I used parallel universes in this particular way:

I figured it’s much easier to have one world that’s split via the parallel universe theory than it is to send someone somewhere else where nothing is familiar whatsoever. I liked the idea that the supposedly familiar could also be intensely strange – as the Elfys, at first, know very little about us, the Humans, and we definitely know even less about them. And I really liked the idea that a magical being like a Dark Elf – that is, a being committed to violence and darkness and death for its own sake – would “pass” as Human because we’ve forgotten that Dark Elfs exist.

Please do take a gander at my guest blog over at Stephanie’s site, as I think you might find it interesting. Because really, very few fantasy novelists have used the parallel universe theory straight-up . . . and perhaps me using it gives you an idea just how unique AN ELFY ON THE LOOSE is compared to other fantasy novels.

(Plus, it’s funny. Have I mentioned that yet?)

Anyway, this guest blog explains why I decided to use the parallel universe theory — something you rarely see in fantasy — to good effect in AN ELFY ON THE LOOSE. I truly hope you will enjoy it.

My favorite “comfort books”

After several extremely trying days, I read some of my favorite “comfort books” in order to feel better and be able to keep going.   And that got me thinking about what, exactly, is a “comfort book?”

To my mind, a “comfort book” is one that will give you a positive feeling time and time again.  It’s a book that gets your mind off your troubles, or at least diverts you from them somewhat.  And it’s a book that you tend to admire for some reason — maybe due to how well the writer in question uses language, maybe because the characters “speak” to you, maybe because it has a bright and lively feel to it, or maybe just because these characters have survived something terrible but have lived to tell the tale.

These books all inspire me to do more, be more, and to keep trying, no matter how hard it gets and no matter how long it takes.  Though the plotlines are disparate, and the situations all over the map, they all have in common one thing — they reach me, no matter how awful I feel, and no matter what sort of chaos is going on all around me.

So in no particular order, here are my favorite books that I turn to again and again when I’m feeling the most down and out:

MIRROR DANCE, Lois McMaster Bujold — Mark Vorkosigan’s story goes from anti-hero to full-fledged hero, has huge peaks and miserable valleys, and contains some of the best writing of Ms. Bujold’s career to date.

CORDELIA’S HONOR (omnibus of SHARDS OF HONOR and BARRAYAR), Bujold — Cordelia Naismith Vorkosigan’s story is humane, interesting, revealing, and engaging.  Cordelia makes her own life her own way, yet realizes she’s as fragile down-deep as anyone else.   Finding a mate as extraordinary as she is in Aral Vorkosigan is half the fun — watching what they accomplish together is the rest.  This is my favorite of all Ms. Bujold’s novels/novel compilations; it also was my late husband Michael’s favorite work by Bujold.

Poul Anderson, the “Dominic Flandry” series (two outstanding novels in this series are A KNIGHT OF GHOSTS AND SHADOWS and A STONE IN HEAVEN) — Flandry is an interstellar secret agent, a literate and erudite man with impeccable taste who still manages to be a flawed human.   He’s also a bon vivant with an alien valet and a romantic heart buried beneath his cynical exterior.  If you haven’t read any of these stories yet, you should.

André Norton, FORERUNNER FORAY and ICE CROWN — Note that Miss Norton wrote many, many outstanding novels in the science fiction, fantasy, romance and historical romance fields; these are my two favorites.  The former novel has a heroine in Ziantha who goes from unwanted child to highly-trained psychic, albeit in thrall to the latter-day version of the Mafia; how she breaks free and finds friends and companions is well worth the read.  The latter features Roane Hume, an unwanted cousin forced to do her uncle’s will on a backward planet that knows nothing of space travel or advanced societies; Roane finds her own inner strength and throws off her shackles while finding the right man for her (more alluded to than delineated, but there), proving that knowledge indeed is power.  (Note that André Norton was Michael’s all-time favorite SF&F writer.  He had good taste.)

Stephen R. Donaldson — A MAN RIDES THROUGH.  This is the second book of the “Mordant’s Need” duology and is a rousing tale of romance, mistaken motivations, political intrigue, and contains an unusual magic system dealing with the shaping and control of various mirrors.  The two main protagonists, Terisa and Geraden, go from not knowing anything to being supremely powerful and confident in and of themselves while maintaining their fallible, undeniably human nature in a realistic way that reminded me somewhat of medieval epics (albeit with magic).  Excellent book that works on all levels, and as always, Donaldson’s command of language is superb and worth many hours of study.

Rosemary Edghill, TWO OF A KIND and THE SHADOW OF ALBION (the latter written with André Norton) — the first is a hysterically funny Regency romance, the second is an “alternate Regency” with magic.  Excellent books.

Mercedes Lackey, BY THE SWORD and Vanyel’s trilogy (MAGIC’S PAWN, MAGIC’S PROMISE, MAGIC’S PRICE) — both emotional and well-conceived, these books draw you in and don’t let go.  Ms. Lackey is one of the most popular novelists in fantasy literature, and it’s easy to understand why.

KRISTIN HANNAH, WHEN LIGHTNING STRIKES — I go back to this book again and again because of the strength of its romance between contemporary woman Alaina “Lainie” Constanza and the outlaw John Killian in 1896; this is a paranormal, time-traveling romance that gets everything right.  The characters are engaging though deeply flawed, and have had terrible things happen to them in the past but manage to overcome all difficulties by believing in the power of their love — but taking time to get there, which makes things far more realistic.

Linnea Sinclair, AN ACCIDENTAL GODDESS.  I enjoy all of Ms. Sinclair’s work, but it’s the story about psychic priestess Gillaine “Gillie” Davré in the far future (she’s a Raheiran, is also a soldier and member of the Raheiran Special Forces) that always draws me back.  Gillie is a complex heroine that, despite her special abilities (of which she has many), still remains a flawed human being.  (The Raheirans think of themselves as human.  Other types of humanity, such as the Khalarans Gillie works with, tend to think of them as lesser Gods and Goddesses, which discomfits Gillie no end.)  Her love story with Khalaran Admiral Rynan “Make it Right” Makarian, a man as complex and interesting as she is, holds my interest time and time again.

Jane Austen, EMMA and MANSFIELD PARK — these are my two favorite novels of Miss Austen’s output, partly because the first is a biting satire and the second a morality play in addition to the “comedy of manners” Miss Austen seemingly could write in her sleep.   I appreciate Miss Austen’s work more and more as I get older; her craftsmanship was outstanding and her eye for detail even better.  (Note that Jane Austen, like André Norton, was one of Michael’s favorite writers.  It was because of Michael’s insistence that I re-read EMMA and realized the fluffy nature of it concealed biting wit and savage satire, then I went on to re-read everything else.)

Finally, there’s the writing team of Sharon Lee and Steve Miller and their entire “Liaden Universe” series.  I can’t say enough how much I admire these two writers, how much I appreciate their fine series of books (twelve or so to date), and how much I’m looking forward to GHOST SHIP, the sequel to both SALTATION and I DARE.

These books are all emotionally honest, they get the issues right, they don’t play games with the reader and the way these writers use the English language is superb.   I gain more every time I turn to these authors and their books, and I believe you will, too, if you give them a chance.