Good News, (Redacted Not-So-Good) News

Folks, there has been a ton of things happening in Chez Caffrey the last few weeks. Most of them, I can’t talk about yet…and I have to say I wish I could, because they’re very frustrating and worrying things. Because of my late Uncle Ralph’s passing, I’ve been reminded of mortality more than usual — and I’m already more aware of mortality than most due to my late husband Michael’s way-too-early death.

That said, I do have a piece of good news to share that kind of got lost in the shuffle with the news of my uncle’s passing.

“C’mon, Barb,” you say. “Spill it, already.”

Well, I think — I hope, anyway! — that I remembered to tell folks here at my blog that my story “A Cold, Bleak Day in the Hellers” had been accepted into the latest Darkover anthology, this being JEWELS OF DARKOVER. Well, the anthology is now out, and that means you can read my story.

“What’s your story about?”

My story’s about two people who would seem to be the most mismatched on Darkover put into a situation where they must make an alliance marriage and make the best of it. That said, they have some unusual strengths, partly because the man is a scholar and the woman is a swordswoman of the Sisterhood of the Swords. Both are literate. Both are strong, settled personalities. So, they might not have expected to fall in love, and maybe even were worried about “falling in like,” but things shake out in such a way that both can play to each other’s strengths.

I’m very proud of this story. I hope you will enjoy it.

“Who else is in this antho, Barb?” you ask.

From the back cover:

Evey Brett + Barb Caffrey + Margaret L. Carter and Leslie Roy Carter + Lillian Csernica + India and Rosemary Edghill + Leslie Fish + Shariann Lewitt + Marella Sands + Deborah Millitello + Diana L. Paxson + Rhondi Salsitz

(OK, I listed myself in there.)

Now for the not-so-good (redacted) news.

I can’t tell you about this yet. I wish I wouldn’t have to tell you about this at all. But as my extended family is already grieving, I am trying to keep a lid on this news (it’s not about my health, though mine is no better, in case you’re wondering).

I don’t like doing this. I feel as if a gag and a blindfold were put on me, and not for any good purpose, either.

That said, until (redacted) happens — if it does — I can’t say anything publicly, especially as I hope (redacted) will get better.

Even saying this much possibly may cause trouble around Chez Caffrey. So be it.

Otherwise, all I can tell you on this Mother’s Day is to do two things:

If your mother is still alive, do whatever you can to show that you love her. Things are far less important than actions. Do what you can, as you can, because life is way too damned short sometimes.

If your mother isn’t, or if you are grieving (as my extended family is right now), think about those you love, and have loved. Do whatever you can to honor their memories. Do what Disturbed’s song “Hold on to Memories” says to do:

“Go do the best things in life. Take a bite of this world while you can. Make the most of the rest of your life. Make a ride of this world while you can.”

So, in that spirit, I will keep doing whatever I can to remind myself that I am a creative person with many different, disparate abilities. That I can’t do much to help with (redacted) is not my fault.

I can only do my best, and if that’s not enough…well, then it isn’t.

I do wish I had better news to share than this on a personal level. But I will continue to do the best that I can, for as long as I can, to the depth and breadth of my soul.

My Thoughts on Linkin Park’s New Song, “Lost”

Folks, the other day, I was listening to the radio in the car (102.9 the Hog, in Milwaukee), and heard a new song from Linkin Park called “Lost.” It’s an extra track they worked on during the time they were recording their second album, Meteora (2003), but never released.

Before I discuss it, I want to first give you the link to the official music video. It’s quite good, even for Linkin Park (which has always been known for its savvy when it comes to videos); there’s a great deal of anime references, along with animated versions of the musicians in Linkin Park…including their late lead singer, Chester Bennington.

I’ve written about Chester before, as I was extremely saddened by his death. Chester was friends with Chris Cornell, the lead singer of Soundgarden and Audioslave (among others); Cornell died about two months before Chester did, and I wrote about his passing at the time.

Anyway, the song “Lost” showcases Chester’s vocals, and is a beautiful rendition of someone trying to find his way out of the morass of despair that life has sent his way. It has at least one odd quirk in that the backing vocals don’t necessarily seem to go with the rest of the song. (If this had been solely Chester with everyone else playing instruments, etc., I think it would be even better, similar to the triumph that was Linkin Park’s single “One More Light” on the same-titled album. Video link for the latter is here.) In hearing these backing vocals with earphones, I found them far less distracting than I did in the car.

Now, why is that? I think it’s because of the mix that went out to the various stations (including the Hog in Milwaukee). Car radios, though they’ve become far more sophisticated in the past fifteen years, still can’t adequately reproduce songs to the same level as a home entertainment system.

Anyway, Chester Bennington was someone everyone in the music business liked. He had a strong work ethic, a gift for music and lyrics and expression and style, and he was generous with his time and friendship. He’d experienced highs and lows and was someone that Limp Bizkit frontman/singer Fred Durst paid tribute to back in 2017 at Spin magazine. “He had a way of making anyone he spoke to feel heard, understood and significant. His aura and spirit were contagious and empowering. Often those types of people have so much pain and torture inside that the last thing they want is to contaminate or break the spirit of others.

“He would go out of his way to make sure you knew he truly cares. As real and transparent as our conversations would be, he was always the one projecting light on the shadows. In my last conversation with him, he was holding his two cute puppies and giving me the most selfless and motivational compliments in regards to Limp Bizkit and myself and thanking me for paving the path for bands like Linkin Park.“

Going down the rabbit hole that is the Internet, I found a video by Disturbed that features pics of Chester along with Chris Cornell. Disturbed lead singer David Draiman knew Chester well and wrote a song that was partly due to both Chester and Chris Cornell’s influence called “Hold on to Memories.” (Video for that is here.) It’s a beautiful song about loss, memories, and how at least in part the person or people you love who’ve passed are never completely gone, so long as you remember. It also discusses how the people you’ve loved/lost would want you to go on and live your best life.

I firmly believe that “Hold on to Memories” is the plain, flat truth. Our loved ones who have passed to the Other Side only wish for our good. (Of course, I can’t prove it. But that’s what faith is all about.) Yes, remember them, but not to the point of crippling yourself.

I mention that because it took me years to figure that out. Over a decade, really…and some days are still harder than others. All I’ve got to fight with, against despair and darkness and frustration and illness, are the bright memories I have with my husband Michael, along with others I’ve truly cared about like my late teacher and mentor Tim Bell, my Aunt Laurice and Uncle Carl, my grandmother, and my good friend Jeff Wilson, as these were the people who understood me the best.

I’m fortunate in that I have good friends, still, that care enough to ask every single day how I’m doing, how I’m recovering from the illness that’s preoccupied my life for the past few weeks (I’m much better, but still ailing/convalescent), and that my family continues to care about what happens to me also. I can’t take these things for granted, because every person’s life is different, and every single one of us finds a different path out of despair and hopelessness as best we may.

Anyway, these songs, from “One More Light” to “Hold on to Memories” and now the new “Lost” single as well, all encapsulate what I know to perfection. What we do in this life, the memories we make, the people we meet, the folks we help, maybe even the folks we hinder sometimes, matters. (It depends, that last, on whether hindering actually does any good, but that’s a side issue. Moving on…) How we build on the knowledge and care and concern and love we find is possibly the best reason for humanity’s existence, and doing what we can to help others — along with refusing to spread vitriol, as I’ve discussed many, many times here at my blog — is essential to our soul’s growth.

So, please. Do yourself a favor and listen to these songs. Contemplate them. Yes, miss Chester Bennington — he was one Hell of a singer and musician — but also appreciate the gifts he shared with the world, along with his bandmates (most especially co-lead singer Mike Shinoda). Appreciate that Disturbed, known far better for their hard rock up-tempo songs (which are also great), has written more than one excellent down-tempo song (this is the best, IMHO, but it’s not the only one). Know that many of us have more talents and abilities than we give ourselves credit for, and that on even our worst days, we’re worthy.

There’s no better tribute to Chester Bennington, Chris Cornell, or other great fallen musicians than that.

You Must First Try Before You Can Do

I know Yoda said, long ago, that “there is no try,” but I disagree.

When you’re learning something new, you can’t help but try to figure out exactly how this new thing will work. For example, if you’re learning a new fingering for the clarinet (the altissimo register, or highest notes, can require some unusual fingerings), you try the new fingering out. You see if it works by itself, then you add in other notes around it to see if it works in context with the music. Then, finally, you try that fingering after playing in a lower octave (composers often write urgent things in piercing registers, or at least we can; lower registers are more about steadiness, sometimes, or at least about a rich sonority as the notes are easier to play), and make sure it works no matter what register you’d been playing in beforehand.

So, when you’re learning something new, you try it out.

Here’s another example. When you go buy a new car, you try it out. You see if it seems like something that will work well for you; you see if it’s comfortable, easy to manage, has enough room to carry your groceries or other important items on occasion, and you envision yourself in the car even as you’re taking it for a test-drive. All of the various amenities it has, or doesn’t have, don’t matter as much as what I’ve just mentioned. What does matter is how the car feels as you test-drive it — in other words, how it feels as you try the car, and put it through its paces.

Even in our personal lives, there is an example.

When I was younger, before I married for the first time, I had no idea of what I was getting into. Yes, I’d taken or at least sat in on a “Marriage and Family” course, I’d tutored some kids in high school who took similar classes also, and I thought I had a good grasp of what marriage entails.

I was wrong.

Why was I wrong? Well, I was envisioning only myself, plus the perfect husband for me, who would do everything right, all the time, without prompting, without me ever saying anything to him because he’d know everything before I mentioned it.

(Do you know how unreasonable and unrealistic this is? I didn’t, not at age twenty or thereabouts.)

See, I expected that anyone I was attracted to would be the same as myself, at least in one way. That way was regarding making the commitment to be with each other every single day. That meant that every day was a new one, where we built on what we already had while adding even more to the edifice…I know discussing a marriage like you’re building a house is an inexact metaphor, to say the least, but it’s the best I can come up with even with my additional experiences.

How did I get those additional experiences? I tried various things. I learned different, disparate things about myself along the way. And by the time I met my late husband Michael, I knew exactly what I wanted out of myself and exactly what I wanted and needed from him. I knew he could provide it, too, because he not only said the right words. He backed them up with the right actions.

(Perhaps that’s not a surprise, as Michael was a Zen Buddhist. They believe in Right Action as one of their tenets, I seem to recall. But I digress.)

I could do, by that time. But the reason I could do was because I’d tried and failed so many other times.

Here’s a final example. Musicians are told to practice often, including major and minor scales, scales in thirds (these are small jumps, for the nonmusicians in the audience; for the musicians, think C-E D-F E-G, etc.), sometimes even scales in sixths, to make playing any sort of music far easier from the technical standpoint. If we get the technique down, we can concentrate instead on other things, such as breath control (for wind musicians, this is essential!), blending with the others in the group, intonation (you don’t want to be sharp when everyone else is flat, or vice-versa, though it’s easier for people to hear “sharp” rather than “flat” for some reason), and actually making music rather than just playing a bunch of shiny little notes.

(I have nothing against shiny little notes. I use quite a lot of them as a composer. Moving on…)

What I’m saying is this: Don’t be afraid to fail. Don’t be afraid of trying multiple times before you can do something, much less do that same something well.

Persist. Keep trying. Keep motivating yourself as best you can, because it’s not likely anyone else is going to do so…and start believing that the best, in some ways, might just be yet to be.

Only then can you proceed from mostly trying, to mostly doing.

Discussing Two Deaths: Postal Worker Aundre Cross, and Dancer Stephen “Twitch” Boss

Stephen “Twitch” Boss was a dancer, performer, husband, and father. He’d come to prominence partly due to So You Think You Can Dance, where he finished second. He met his wife Allison there as well. And over time, he met many people, including former First Lady Michelle Obama and former talk show host Ellen DeGeneres (he was her DJ, and eventually an executive producer also, for her show).

He also — though it didn’t seem like it due to his bubbly, effervescent nature — suffered from depression.

The public didn’t know that until he took his own life yesterday at age 40.

Aundre Cross was a 44-year-old postal worker in Milwaukee. He was killed by random violence; as he was delivering the mail around six p.m., someone shot him. The police do not yet have any suspects, and it’s been about a week since Cross’s death.

Now, you may be wondering why I’m pairing these two men in death. The main reason is, Cross, like Boss, was the same type of person by all accounts. Cross was someone everyone liked. He could go into a funeral home — as he often did, delivering the mail — and make people smile. He also didn’t shirk from the tough times his friends had; he was always a shoulder to cry on, or a person who could uplift you when you needed it.

Both of these men encouraged others to feel better about themselves and what they were doing. They understood setbacks, they understood how difficult life can be, and yet they went out of their way to be one of “the helpers” that Mr. Rogers used to talk about all the time on “Mr. Rogers’ neighborhood.”

When people like this go out of this world, it hurts us, whether we know it or not. That’s ’cause we all need to believe more in ourselves and our talents; we need to know that someone “gets” us, all the way through, and understands why we are trying so hard when it seems like nothing will ever break our way. These were men willing to talk, willing to help, willing to overcome, and willing to persevere. Their lives were both inspirational and educational, and while Cross wasn’t anywhere near as well-known as Boss, Cross shared light wherever he went — just as Boss did by all of the various tributes pouring in via social media and elsewhere.

If you are struggling with depression, please don’t wait. Speak to a friend. Speak to a crisis line. Speak to someone — a doctor, even. Do it for the memory of Twitch Boss, if you can’t do it for yourself.

And if you see someone shooting an innocent mail carrier and leaving him to die, please report this and stand ready to testify in whatever way you can.

People should not have to live in fear, whether it’s from themselves as in depression, or of others as in the traumatic and tragic case of the death of Mr. Cross while working and delivering the mail.

Actress Kirstie Alley dies at 71

It’s taken me a day since I heard about actress Kirstie Alley’s passing to figure out what I wanted to say.

Alley was almost an icon, in some senses. Whether it was weight loss, taking on tough challenges later in life (she was on Dancing with the Stars in 2011, when she was 59 going on 60), discussing difficult subjects (she once asked a reporter from my best recollection, “Are you a chubby chaser? Shouldn’t you be?”), or being outspoken in nearly every aspect of life, Alley was an American original in the best of senses.

I first saw Alley in STAR TREK II: The Wrath of Khan. She played Lieutenant Saavik, who was Spock’s mentee and almost his foster daughter. Saavik was half-Vulcan, half-Romulan, so she had more emotions than most Vulcans, yet she’d grown up more in the Vulcan way and did her best to follow logic rather than give in to her emotional side. The body language of Saavik was quite different than any other character Alley played later on; it was fluid in the lower body but restrained in the upper body. (She’d said this is how she viewed Leonard Nimoy’s performance as Spock, so she was emulating that the best she could as far as body language went.) This “mirroring” made it clear, without speaking, that she was deeply attached to her mentor, Spock.

Later, Alley was in Cheers, one of the longest running comedies ever on the “small screen” (aka television). She played the difficult and demanding Rebecca in such a way that you kind of liked her even though Rebecca threw out verbal jabs as easily as she served up a drink to the bar’s regulars. She won an Emmy for that performance.

In everything she did, Alley was memorable. Quotable.

Alley’s dance partner from Dancing, Maksim Chmerikovskiy, left an emotional tribute to Alley on Instagram. He said, in part, “You were one of the most unique people I have ever met and easily one of the brightest moments of my personal and professional life.” He wished her “the most peaceful rest,” and said he loved her and wished he’d spoken to her more often.

People who have huge hearts and spirits like Alley should be celebrated (which is exactly what Maksim C. did, above). They are unafraid to be themselves. They are unafraid of censure, because they know for the most part it’s meaningless and won’t matter in the end. They are more interested in self-improvement and being good to others than they are about anything else except their work, where they usually excel…and they are people who live full lives because they know that’s the only way to be true to themselves.

Alley’s life, especially after age fifty, seemed more like Auntie Mame (from the 1958 movie) than anything else. She was eccentric, outspoken, interesting, funny, yet had her vulnerable side as well. She was exactly the type of woman that I, in my midlife, hope to become someday.

May her memory always be a blessing.

Opposites Attract: The Jerry Falwell and Larry Flint Friendship

Folks, I’ve been thinking a great deal about friendship. Must we always be just like our friends? (You know I’m going to say no.) Can’t we appreciate different things in different people? (I would assuredly hope so.) And have other people managed to find common ground despite their differences?

Too many people get caught up in their “tribes” of folks who say they believe every single thing down to the last jot and tittle as themselves. They don’t challenge themselves, or their assumptions; they aren’t strong enough, perhaps, or maybe they just see no need.

Yet Larry Flynt — the famous owner of Hustler magazine (a men’s magazine that, shall we say, specialized in raunchiness rather than photographic artistry) — and Jerry Falwell, the famous Protestant minister, ended up friends after fighting like cats and dogs for years due to their obvious differences. (To say that Falwell did not approve of pornography, much less graphic porn like Hustler, is a severe understatement.)

How did they become friends?

Well, there’s a story behind that, and it goes like this: After Jerry Falwell lost a big lawsuit that went all the way to the Supreme Court, he went to Flynt and said, “I believe God wants us to be friends. Goodness knows we’ve tried everything else.” (This is my best paraphrase from several things I’ve read over the years.)

Flynt had some God-fearing friends, such as Ruth Carter Stapleton (former U.S. President Jimmy Carter’s sister), and had converted, at least for a short time, to Christianity in the 1970s. (I think he made it about a year before he again proclaimed he was an atheist.) He respected them despite their differences. But no one, not him and probably not Falwell, would’ve believed that these two wildly disparate personalities would become friends.

Why? Well, to put it mildly, most people do not become friends after they lose such a high-profile lawsuit. (Or any lawsuit.)

Yet Falwell extended Christian charity to Flynt, and Flynt responded. Flynt once said (again, from my best paraphrase), “We had almost nothing in common, yet he was a great friend.”

These two were unafraid to discuss their differences, too. They knew in many ways they were diametrically opposed. Yet…they also had some things in common, such as beliefs in integrity and fair dealing. They also believed people should honestly confront themselves, plus both believed in the rights of people with disabilities to fair treatment and understanding. They also were both, adamantly, against the death penalty, and Flynt backed it up when the gunman who paralyzed him was on death row as Flynt asked for the death penalty not to be applied.

In writing circles, we have a few other “opposite attracts” friendships, including the professional collaboration and long friendship between David Weber and the late Eric Flint. I know from my own knowledge of reading various posts by both men at Baen’s Bar (find it by going to baen.com and look for the link) that both men were intelligent, spirited, and tough but fair when discussing their various differences. (The respect between the two men was never in doubt.) What they had in common was personal integrity, honesty, commitment, a strong work ethic, and a willingness to work together to write excellent fiction.

My late husband Michael was a major admirer of David Weber, years ago. He had all the Honor Harrington books, plus the Bahzell books, and several other ones. (I can’t remember all the names now, but I’d probably recognize the various covers.) Michael, like myself, believed in traditional small-l liberal values and tended to vote for centrist candidates. (This was quite right-wing for San Francisco, he proudly used to say. I think Michael loved being contrary. But I digress.)

See, it is possible to respect and admire someone no matter what providing people are of good will and no malice. Flint and Weber worked together, were great friends, and appreciated each other. And the oddest couple of all, Flynt and Falwell, certainly became great friends and appreciated each other.

Knowing of these friendships makes me believe that people in general can, still, become friends with folks who seemingly have nothing in common.

So, when you abhor the state of the world — and truly, there are very difficult things going on all over the place, including a ton of stupidity — remember this:

It is possible to be friends with someone of a different political party. It is possible to become friends with someone of a different gender or sexual expression. It is possible to become friends with someone who worships differently than yourself…and it definitely is possible to be friends even if all of these things are present, providing we are people of goodwill and do as much listening as we do talking.

(That’s hard for me, but I’m working on it.)

Anyway, what “opposites attract” friendship have you wondered about? Tell me about it in the comments!

Halloween Musings

Folks, as I write this, it’s two days until Halloween. Three days until All Soul’s Day. And the official Day of the Dead ceremonies go from October 31 to November 2, 2022.

As this is a time where we’re not quite to winter, yet it’s colder more days than not, there’s an awful lot of personal reflection going on. (I don’t think I’m alone in this.) What have we done this year? What would our loved ones on the Other Side be proud of, and maybe not-so-proud of?

When I was young, I was like everyone else. I wore cute costumes (I think I went one year as a pink fairy; Mom and Grandma helped me make a “wand” with aluminum foil that looked a bit like a Star of David), went out to get Halloween candy, and possibly went to a few minor parties. (They were all very tame parties. A “lock-in” at the local Aladdin’s Castle, a place to play a ton of video games, was one of them. Another was at a good male friend’s house; I knew he was gay, but we didn’t talk about it then, and I had a huge crush on him anyway.)

As I got older, I read a great deal about the significance of Halloween. It started out as Hallowe’en — as in, the evening before All Soul’s Day. (All Hallow’s Eve got contracted to Hallowe’en.) It was a Christian religious observance that happened around the same time as Pagan Samhain (“Sow’en” is the pronunciation), and it’s possible — I think likely — that the early Christian church kept the day and most of its rituals in order to help people convert without having to “convert” people by taking up arms against them.

Of course, Samhain this year is on October 31. (Many years, it coincides. But not always, to the best of my recollection.) It is celebrated from dusk to the dawn of November 1. It is thought by many, particularly those in the NeoPagan community, that Samhain is when the veils between this world and the next are the thinnest. (Note the similarity with the Day of the Dead celebrations. I’m sure it’s not accidental.)

For me, as a NeoPagan, what I do is very similar to what I did as a Catholic, earlier in life: I light a candle, and think about my loved ones. I have several that I think about in addition to my beloved husband, Michael…I think a lot about Grandma, great-grandma on my father’s side (called “Aiti”), my uncle Carl and aunt Laurice, my best friend Jeff Wilson, my good friend Larry (dead for over thirty years, now, via suicide, but not forgotten), and more.

If I can find it, I will buy a Mountain Dew (diet, even though that’s not what my husband drank; he drank the regular stuff, thank you very many, and he preferred Code Red or the orange Livewire if he could find them), and sip it slowly. (I don’t know what foods would appeal that much to any of my relatives or to Jeff, but I know for a fact that Mountain Dew and a few specific candy bars and such are what Michael would like, if he could taste them through me.)

But most of all, it’s about reflection. What have I done? What can I still do? Would my loved ones approve of what I’ve done or what I’ve at least tried to do?

So, yeah. It’s not all about the candy and the costume parties for me. Not anymore.

What are you planning to do this year for your Halloween/Samhain/Day of the Dead festivities? Let me know in the comments…and if it’s that you’re going to a costume party, that’s good (so long as I don’t have to go!)

Remembering Del Eisch, My First Band Director

Folks, last week, my first truly good band director died. (In all senses.)

Delbert A. Eisch — or Del, as he urged everyone to call him — was eighty-five, and had lived a good, long life. In that life, he’d done many things as a conductor, a trombone player, as an activist for live music, and much, much more. He taught in Racine for thirty-six years, and also conducted over 640 concerts while the conductor of the Racine Concert Band (previously named the Racine Municipal Band).

Much of this information can be gleaned from his obituary, which you can find here, but I wanted to summarize it before I got into what Mr. Eisch meant to me.

As I said, he was the first good band director I’d ever known. When I joined the Racine Municipal Band (not yet called the RCB), I was only fourteen. I played the oboe, then; I hadn’t picked up either the sax or the clarinet as of yet. I’d played in the Kiwanis Youth Symphony as an oboist and had played in my junior high school band and orchestra at Gifford (it’s now a K-8 school, but back then it was solely a junior high — our term for middle school at the time). But the junior high band was limited to what most of the performers were able to play, meaning I didn’t get a chance to play high-level pieces, nor did I get much sense at that time of what good band literature was all about.

Mr. Eisch knew how to program for his band, though. I figured that out immediately. We played marches — John Philip Sousa, Henry Fillmore, etc. — as nearly all bands do, but we also played more. We played show tunes. We played overtures. We played incidental pieces composed to be heard behind ballerinas, or with movies (as we certainly played selections from movie soundtracks). And we played the big pieces for concert band, including the two Gustav Holst Suites for Band, as well.

Mr. Eisch was extremely encouraging to me when I was a young musician. This was essential, as at the time I felt completely lost in my life. I loved music, loved to play, but otherwise I was a misfit. I read too much. I enjoyed talking with people much older than myself. I studied history and geography and some mathematics along with reading everything I could get my hands on, because I’d started to write stories and poems and wanted to be knowledgeable about my chosen subjects.

I loved science fiction and fantasy, of course, even back then. I was fortunate that my local TV station regularly played episodes of Star Trek (now called “The Original Series”), and I was even more fortunate that my junior high’s library had an excellent selection of SF&F books along with copies of Downbeat Magazine and other musically oriented magazines such as Rolling Stone. (That dealt with commercial music, sure. But things were applicable across all disciplines, and I tried to learn whatever I could, wherever I could.)

Anyway, I think Mr. Eisch knew, from all his years teaching at Gilmore School, that I was a bit of an odd duck. (Or at least that I felt like one.) He was gentle, kind, and patient with me as I learned the music — which wasn’t too hard for me, as even then I was quick on the uptake and an excellent sight-reader — and how to get along with the people in the band.

He encouraged my talents, to the point that I played oboe solos in front of the band, then later a clarinet duet, a saxophone solo, and finally a clarinet solo before I was off to my first undergraduate school. (Me being me, and more importantly being married to a guy who was then an Army Reservist and later in the active-duty Army, I needed to go to three different colleges/universities to finish my degree.) He also added in twelve bars for an improvised solo when I played “Harlem Nocturne” with the band, so it sounded a little jazzier and helped to give me a better experience as a musician.

My tale picks back up approximately ten years later, when my then-husband and I were back in Racine after his military service ended. Our marriage was breaking up, which I didn’t know then (but can clearly see now), and I needed music as an outlet. (I always had, so why not then?)

Mr. Eisch warmly welcomed me back to the band. (My soon-to-be-ex-husband also joined the band as a percussionist.) He had a need for an additional clarinetist, so would I mind playing clarinet?

I did not mind.

It was interesting, as I got to hear many of the same pieces in a different way than before. I learned how the various parts interrelated and asked Mr. Eisch many questions about music and conducting that he patiently answered. (At the time, I was hoping to eventually be a conductor myself. This is a dream that didn’t come to fruition, but the knowledge I gained was still invaluable.)

When I finished my Bachelor’s degree at the University of Wisconsin-Parkside, I started looking for graduate schools. (I wanted to teach in college, and that was the way forward. Plus, I wanted to learn even more about music, harmony, melody, music theory, music history, etc., as I loved everything about music.) I discussed the merits of them with Mr. Eisch, along with several other wonderful musicians in the band; eventually, I decided on the University of Nebraska-Lincoln.

Once I finished my degree there (it took me a few additional years due to family health concerns), Michael and I married. We knew we’d go back to his home in San Francisco sooner or later, so I didn’t rejoin the band at that time.

A few years passed. Michael and I had moved to Iowa. I’d looked into perhaps going to the University of Iowa as a doctoral student, once I qualified for in-state tuition…then Michael died, suddenly and without warning.

I have to include this, to explain the rest.

I didn’t feel like playing my instruments for years. I rarely composed any music, either. It was hard to write. Hard to do anything. I barely even recognized myself in the mirror, I was so upset.

So, because of that, I didn’t attempt to rejoin the band, or even find out if they might have a use for me.

I did, however, rejoin the Parkside Community Band in October of 2011 (not too long before my good friend Jeff Wilson passed away). And doing that led me back to the Racine Concert Band, where Mr. Eisch was now the band’s business manager (and conductor emeritus).

Mr. Eisch and I had several conversations along the way, once I rejoined the band. Some were to do with the band and its need for funding and fund-raising. Others were about life, and about loss, and about faith, as well as music.

Mr. Eisch then retired as business manager, and completely stepped away from the RCB. We did see him at concerts for a few years after that…then COVID hit.

Anyway, the last time I saw Mr. Eisch was earlier this year. I was going into Ascension All-Saints Hospital for an appointment; he was coming out of there, being medically discharged. He was happy to see me, and I was happy to see him; he asked how I was doing, how my family was doing, and asked me to tell my parents that he’d said hi (as he knew them both well, too, especially my Dad as he played in the RCB for ten years, himself, as a drummer).

I didn’t know that would be the last time I ever saw him, or I would’ve told him just how much his kindness and dignity and example had meant to me, along with all of the musical knowledge he’d imparted along the way.

Mr. Eisch was a very kind man. He was also a gentle man, in the best of senses. He loved music, of course he did, but even more so, he loved his family and friends.

Good men, good people, are sometimes hard to find. But when we get a chance to be around them, we hopefully reflect the light they can’t help but give out a little brighter. Then that light goes on, and on, and still on, for as long as people last…or at least as long as our memories do.

I truly hope that his widow, Anne, will be comforted by his memory. Always.

*****

An Addendum: I wrote this today, on the eighteenth anniversary of my beloved husband Michael’s death, because I wanted everyone to know just how much Mr. Eisch meant to me.

Michael only met Mr. Eisch once, I think. We were at the grocery store, or maybe at the mall…anyway, he did meet Mr. Eisch, and told him it was a pleasure to meet one of my formative influences.

I’d like to think that Michael again met with Mr. Eisch in Heaven, Eternity, or whatever The Good Place (TM) truly is, and that Michael has passed on what I’ve just said — as he knew I felt this way, because he knew me extremely well — just in case Mr. Eisch still did not know it.

Sunday Musings: Why should you help a widow? (Or widower?)

Folks, my last blog asked you to please help Eric Flint’s wife, Lucille, in her time of need. (I was one of many people asking for people to help.) She received an outpouring of financial support, and the GoFundMe for Eric’s final expenses has been closed.

Thank you all.

That said, there are still other things to be done to help her, or other widows/widowers suffering from the loss of their spouse.

First, though, I wanted to answer this (somewhat obvious) question: Why should you help a widow or widower?

I’ve thought a lot about this question in the intervening years since Michael’s passing. And I’ve come up with a few reasons as to why you should always help a grieving widow or widower — any grieving widow or widower, whether you like them personally or not.

When you’ve been newly widowed, you are exceptionally vulnerable. All of your support, all of the love you had that you had freely shared with your spouse, is suddenly gone. That love has no place to go. And worst of all, you are often misunderstood when you try to express your grief in any way, shape, or form.

It’s incredibly difficult to deal with the world when you’re in deep shock, suffering with the worst wound you’ve ever had. That’s just a fact.

Everything seems unreal. Nothing feels the same. It’s very hard to go on, alone except for memories (and, if you’re like me, the knowledge that the spirit is eternal and that you will eventually be reunited in joy somewhere/somewhen again).

We all grieve differently, but what I just said tends to be in common for nearly any grieving widow/widower if they deeply loved their spouse.

Anyway, I wanted to talk more about Eric’s wife and widow, Lucille, at this point. I do not know Lucille except for that one meeting in 2002 I’ve previously discussed (and there, I asked Eric a question; I should’ve asked her one, too, in retrospect, but I didn’t think of it). But I do know that if I were within a hundred miles of where she is (I’m not), I would try to bring her a cooked meal or two. Or volunteer to run errands.

And if I knew her better, I’d offer to listen to her talk at any time of the day or night.

Lucille is a valuable person in her own right. Yet if she’s anything like me, or the other widows and widowers I’ve known, she’s not going to be able to feel that for quite some time.

She deserves to be helped in as many ways as possible in whatever way she’ll allow on any given day. She should be given all available love, stamina, support, and whatever other good things she can possibly be helped with for as long of a time as she needs.

Her loss should be respected.

People should talk with her about Eric, as soon as she’s able to do that (or wishes to do that). He was her favorite person in this world. It’s unlikely she’ll want to stop talking about him, merely because his Earthly presence is gone.

Give her time, space, if she needs that. (I know this seems contradictory, but much about grief seems contradictory, too.) But help her as much as you possibly can, those of you who know her best. (I will help, too, if I ever get a chance to meet her again, and if she allows.)

In other words, while monetary help is great, it’s not the only way to help a grieving widow or widower.

Now to a bit more personal stuff, about my own feelings regarding being a widow.

Those of you who have met me, in person, or even have known me through my blog or my books, should know how much I value — and will always value — my marriage to the most wonderful man in the world, Michael B. Caffrey. I had some monetary support at the time of his passing, enough to help me buy an obituary for him, and help to pay for his funeral expenses. I appreciated that, too, at the time.

But no one knew how to help me with my grief. (My grief was so bad, a grief-support group sent me away.)

My family understood that Michael’s death was a huge loss. They didn’t have any idea how to help me process that.

I suffered, mostly on my own, with how to come to terms with it. How to see myself as valuable in my own right. How to go on alone (except for memories and the belief, as I said before, that the spirit is eternal). How to keep writing on my own, with little to no support or understanding of why I felt I must write (whether it be poetry, SF/F, or nonfiction/essays).

I had to figure it out one step at a time, stumbling and fumbling in the dark.

I don’t want anyone to have as much trouble as I did, not even the person who believed Michael was better off dead than with me. (I will never forgive that person. Never. But I still don’t wish ill on them. No point.) If and when they lose their spouses, I want them to have help and support.

That, most of all, is why I dearly hope that Lucille will be aided in as many ways and for as long of a time as she needs. And I pray very much that this will be so.

My Thoughts, As A Widow, On Recent “This is Us” Episodes

(What a pretentious title, huh? But it was the best I could do…moving on.)

My Mom and I have watched NBC’s TV show “This is Us” about the Pearson clan for several years. (I can’t recall if we watched it regularly until the third year, but we did watch.) I’ve had a great deal of empathy for various characters. I remember Randall (played by Sterling K. Brown), the Black man raised in a white family, meeting his biological father for the first time. That was both difficult and heartening, all by itself; when the Pearsons, en masse, decided to welcome William (Randall’s bio father), it became something more.

Anyway, the matriarch of the Pearsons is Rebecca, played by Mandy Moore. We see her when she’s young and heavily pregnant; we see her when she’s in her late twenties/early thirties, raising her kids; we see her in her fifties and sixties, after her first husband’s passed away and she’s married her second one; we see her, finally, with Alzheimer’s disease, dying with her kids and grandkids around her.

Rebecca’s story is the one that I took to the most, over time. (This is not surprising, I suppose.) She loved her first husband Jack with everything that she had, and when he died unexpectedly, still in his prime, her world collapsed.

I understand how that feels extremely well.

Rebecca, unlike me, had three children who were all teenagers. She still had to be there for them. She also had good friends, including Miguel (the man who later became her second husband), her husband’s best friend. The friends helped Rebecca and her kids accustom themselves to a life with a Jack-sized hole in it.

This was not easy for any of them. Jack was an interesting, kind, funny, hard-working, loving man who adored his wife and was so ecstatic to be a father. He had his faults, including battles with alcoholism, that he tried to hide from his wife (and mostly did hide, successfully, from his children). But his virtues far outweighed his flaws.

Obviously, Jack’s loss was hardest on Rebecca. She was still in her prime, in her late thirties/early forties. She hadn’t expected to be a widow, much less so soon. But she was one, and she had to adapt on the fly, just as her kids were starting to flee the nest.

As her kids married, divorced, remarried, had children, and lived their lives, one thing was clear: even if their spouses had been divorced, they were still part of the Pearson clan. They were still welcome at every family function. They were included, not excluded, because the Pearsons believed “the more the merrier,” which probably came from Rebecca being pregnant with triplets in the first place. (The third triplet died, which is why Rebecca and Jack adopted Randall, who was born on the same day and needed a family as his mother had died and his father — then — was completely unknown.)

Of course, there were oddities that happened to the Pearsons. (How else? Life itself is strange.)

One of them was when Randall’s father, William, made contact with Rebecca and Jack when Randall was quite young. William felt Randall was better off where he was, as William was battling a drug addiction along with poverty and much frustration; that was an extremely hard decision, but one that reaped major dividends late in life when Randall (in his thirties, roughly) found that William had known a) he was Randall’s bio father and b) where Randall was the entire time. Randall forgave William, in time, and as I said before, the Pearsons welcomed William until the day William died.

That said, for many fans, the oddest oddity of them all was the fact of Miguel marrying Rebecca. We knew Miguel was with Rebecca from the start (or nearly), because “This is Us” has always told its story in a non-linear fashion. We also knew that Miguel was Jack’s best friend, that he was appreciative of Rebecca from the start (he told Jack to make sure he married Rebecca, because “someone else” would; maybe even he didn’t know that someone else, someday, would be Miguel himself), and that while Jack lived Miguel made no moves (as a quality human being, of course he didn’t).

Because of the jumping back and forth in time effect, though, until the last few episodes it was impossible to tell when Miguel had married Rebecca. (That Rebecca had developed Alzheimer’s, and Miguel was caring for her until his own death, was something explored in great depth this past season.)

Why?

Well, Miguel didn’t get an episode revolving around him until a few weeks ago. That’s when I found out that Miguel had waited several years, had moved away to a different state, and made sure his feelings were real (and not something conjured out of pity and the deep, abiding friendship he’d always had with Rebecca while Jack was still alive) before he married Rebecca.

We still didn’t see his marriage, which was the second marriage for both of them. (Miguel’s first marriage ended in divorce.) But we saw how he took care of Rebecca. He was tender, kind, compassionate, loving, and altogether the right person for her after Jack died.

I was happy she found another good man to love.

This may sound odd, if you’ve read my blog for years. I thought for quite a few years that my heart was not big enough to admit another love — romantic love, anyway — after Michael’s way-too-early death.

While I found out that was wrong, the two men I’ve cared about in the past few years did not end up growing with me in the same way. They did not want the same things. (Or in one case, even if he had, he could not express that. He is neuro-divergent.)

The man who might’ve been “my Miguel” was Jeff Wilson, who died in 2011. Jeff didn’t know Michael, so that part wouldn’t be analogous. But Jeff knew I was the person I am because of Michael. Jeff also was my best friend of many years (seven, at the time of his death), and during his fatal health crisis said to me, with a weary yet humorous tone in his voice, “Can we please proceed to the dating phase now?”

I’ll never know what would’ve happened had Jeff lived. But I knew I was going to try, and I told him that.

Then he died, after he’d been improving; his death was unexpected, and he was only a year older than Michael had been when Michael died.

So, two men. Both interesting, intelligent, funny, hard-working, creative…both themselves, indelibly themselves, and I cared about them — loved them — both. (I did not yet have romantic love for Jeff, but I certainly was getting there at the time of his death. I definitely had agape love and philios also.)

Anyway, Rebecca’s death episode was this past Tuesday. She was pictured on a train. She saw William (acting as the conductor); she saw her obstetrician (acting as a bartender). She saw her kids, possibly including her deceased triplet (I wasn’t sure about that), at various ages. She heard the various well-wishes of the Pearson clan, including from her daughter’s ex-husband, her son Kevin’s wife (he’d only married twice, to the same woman, but many years apart), and her sons. But she was waiting “for something”…

As she’s waiting, she sees Miguel, a passenger on the train. He salutes her with his drink, and tells her she’s still his favorite person.

This made me cry.

Miguel got no more time in that episode, which upset me. I thought Rebecca should’ve gone to him, hugged him, and said “thank you.” Her mentation has been restored, on the train; she knows that Miguel helped her while she was so ill with Alzheimer’s. She also got a second wonderful husband in addition to her first, which is very rare…yet while she smiled at him, and seemed happy to see him, she didn’t go to him.

This made me even sadder.

The end of the episode came when her daughter, Kate, was able to get there (she’d been overseas). As she says goodbye, Rebecca clearly crosses over and enters “the caboose,” where her first husband, Jack, waits.

That’s where the episode ended.

I don’t know what’ll happen in the finale of “This is Us.” I do hope that Miguel’s contribution to Rebecca’s life, and to the entire life of the Pearson clan, will somehow be recognized. (Her children all told her to say “hey” to their father for them, but no one asked her to hug Miguel if they saw him. That, too, bugged me, but maybe the writers wrote it and they had no time to get it into the episode.) It’s obvious that without him in her later years (even before she got Alheimer’s), there wouldn’t have been as much acceptance and love from the Pearsons as a whole.

Anyway, my take as a widow is that I want there to be some recognition of how much good Miguel did for Rebecca, and that Jack had no problems with it as Miguel both made her happy and helped her as her mentation declined. (Miguel also still saw Rebecca as the same person, even with her mind going; her own children couldn’t always do that, as her daughter Kate pointed out in a recent episode.)

To be able to love again after such tragedy was wonderful. To not express thankfulness and gratitude for loving again…well, had it been me in that position, I hope I’d have done better.

(And yes, I know they’re all characters. Not real people. But they surely felt real, which is why I hope that Mandy Moore wins an Emmy for her portrayal of Rebecca and that Jon Huertas wins an Emmy as well for his excellent supporting work.)