Archive for the ‘Widowhood’ Category
Sunday Reflection
In the past few weeks, I was reminded — forcibly — that life is incredibly short.
There is a Biblical quote that comes to mind about such times. It’s from Psalm 90, verse 12. “So teach us to number our days, that we may apply our hearts unto wisdom.”
It seems to me that too many people in this world forget both parts of that equation. Time is very short, so we have to work hard to find wisdom as our days are numbered and we have no idea when the end will come.
I try to find wisdom, teachings, and purpose wherever I can, partly because I know how short time is. (Ask anyone widowed young, and they’ll agree with me.) The other part is, I’ve always tried to find common ground with other people whenever possible, in the hopes that light can shine not only in my life, but in someone else’s life, too.
There are many things I’d do differently, if I had more energy, health, financial security, and overall stability. But seeking out purpose and wisdom would not be one of them.
As the ancient proverb says, “Time and tide wait for no man.” Please remember that, and don’t put off until tomorrow what you could do today to make someone’s life a little better.
Life, Prayers, Friends, Frustration, and Futility
I know I haven’t blogged in a bit, but the last few weeks around Chez Caffrey have been hectic, to say the least. I’ve been hip-deep in one edit, chin-deep in another (don’t ask), have nearly completed a third edit, restarted a fourth edit…and carved out a bit of fiction writing time for myself, too. (Not as much as I wanted. Not as much as I would’ve liked. But some.)
And, of course, I have had all the usual Real Life Issues (TM) to deal with, too.
Sometimes, I feel utterly frustrated. I want to be able to do more. I only have so much energy; it’s a finite amount, and some days it seems like it’s trickling away without my notice. There’s only twenty-four hours in a day, and it seems like I need at least twenty-six to get everything “normal” done (I know; define normal). That’s before writing, of course, so if you add in writing, along with music composition (which has taken a back seat the last few weeks as well), I’d probably need at least thirty-two hours in a day to do everything I feel I must do.
Which, of course, is flat-out impossible.
Because of the recent “sadiversary” observance (which I’ve discussed elsewhere here at my blog), too, I have been reminded of how much faith my late husband Michael had in me. He believed my writing, my music, and my music composition all mattered. He wanted me to succeed, to thrive, to be happy, and to be creative (not necessarily in that order).
I wonder, sometimes, how much I’ve managed to do in this regard. Life gets in the way. There isn’t enough of me, and there are way too many different things that must needs doing, stat…then add in the fact that a couple of my friends are in major distress right now, plus another one is watching his spouse die by inches and can’t do anything except be by her side as she no longer recognizes him…well.
Frankly, I have felt extremely frustrated over it all. I have wondered if life is just a futile thing, because there are so many things I can’t do and so many things I wish I could do (such as restore my friend’s wife to health). I believe we, as human beings, are striving toward something — empathy, creativity, passion, purpose, maybe all of it? — and yet we face so much frustration along the way.
Is it worth it?
I think so, or I wouldn’t be here now, blogging about it. I believe life is not only is worth it, but it matters so much, so intrinsically, that it’s nearly impossible to plumb the depths of just how much it matters.
That said, there are moments where I wish I could do a whole lot more than I am. There are moments where I wish, just for one moment, I could hear my husband Michael tell me that yes, what I’ve done makes sense, and yes, what I’m doing makes sense, too, and yes, what matters is that I’ve given it my best effort.
As I’ve always done. Yes.
He knew that, about me. And he knew that about life, too.
Some say that life is all about the journey. I think that’s only part of it. Yes, we journey along, and yes, we learn things on our own journeys, too. But it’s also about figuring out what’s important to you, and how to go about doing those things while pulled in seemingly a million different directions.
So. I’ve felt frustrated, and wondered if life matters, and thought about futility for the past week-plus. (Yes, some of this would’ve come up because of the “sadiversary” observance. But I think much of the rest has come about due to my friends’ various struggles, and my wishes that I could ease their burdens in some way as it doesn’t seem like I’ve been able to do a lick of good in any regard.)
What do you do when you feel frustrated? What do you do when you think everything is just futile, or pointless, or just not worth it?
I know what I do is go on. I put one foot in front of the other, do my best not to fall, and just keep going. Even if the direction doesn’t seem right, and even if sometimes I need a course correction or two, I just keep on keepin’ on.
But before I go, I would like to ask a favor. Please, if you have energy to spare this week, pray for my friends. Pray because they are good people who need good things to happen rather than the bad things that have accumulated over the past few months (months that have seemed like decades, at least to me). Pray because no one deserves to feel so terrible for so long. Pray because human beings should care about one another.
I’ve never asked this before, and I may never ask it again. But I need to ask it now, as way too many of the people I find meaningful and wonderful in my life are struggling. I can’t do much to help other than listen, which of course I’ve done…and pray, which I have been doing for a while. My prayers, however, do not seem to be anywhere near enough to positively affect the outcome.
That’s why I chose to blog today and to discuss all this difficult stuff. I want to help my friends, dammit; I want, somehow, to give comfort to them, and the feeling that their lives aren’t hopeless or meaningless or worthless.
Does anyone else feel this way? If so, tell me in the comments. Please.
Remembering Del Eisch, My First Band Director
Folks, last week, my first truly good band director died. (In all senses.)
Delbert A. Eisch — or Del, as he urged everyone to call him — was eighty-five, and had lived a good, long life. In that life, he’d done many things as a conductor, a trombone player, as an activist for live music, and much, much more. He taught in Racine for thirty-six years, and also conducted over 640 concerts while the conductor of the Racine Concert Band (previously named the Racine Municipal Band).
Much of this information can be gleaned from his obituary, which you can find here, but I wanted to summarize it before I got into what Mr. Eisch meant to me.
As I said, he was the first good band director I’d ever known. When I joined the Racine Municipal Band (not yet called the RCB), I was only fourteen. I played the oboe, then; I hadn’t picked up either the sax or the clarinet as of yet. I’d played in the Kiwanis Youth Symphony as an oboist and had played in my junior high school band and orchestra at Gifford (it’s now a K-8 school, but back then it was solely a junior high — our term for middle school at the time). But the junior high band was limited to what most of the performers were able to play, meaning I didn’t get a chance to play high-level pieces, nor did I get much sense at that time of what good band literature was all about.
Mr. Eisch knew how to program for his band, though. I figured that out immediately. We played marches — John Philip Sousa, Henry Fillmore, etc. — as nearly all bands do, but we also played more. We played show tunes. We played overtures. We played incidental pieces composed to be heard behind ballerinas, or with movies (as we certainly played selections from movie soundtracks). And we played the big pieces for concert band, including the two Gustav Holst Suites for Band, as well.
Mr. Eisch was extremely encouraging to me when I was a young musician. This was essential, as at the time I felt completely lost in my life. I loved music, loved to play, but otherwise I was a misfit. I read too much. I enjoyed talking with people much older than myself. I studied history and geography and some mathematics along with reading everything I could get my hands on, because I’d started to write stories and poems and wanted to be knowledgeable about my chosen subjects.
I loved science fiction and fantasy, of course, even back then. I was fortunate that my local TV station regularly played episodes of Star Trek (now called “The Original Series”), and I was even more fortunate that my junior high’s library had an excellent selection of SF&F books along with copies of Downbeat Magazine and other musically oriented magazines such as Rolling Stone. (That dealt with commercial music, sure. But things were applicable across all disciplines, and I tried to learn whatever I could, wherever I could.)
Anyway, I think Mr. Eisch knew, from all his years teaching at Gilmore School, that I was a bit of an odd duck. (Or at least that I felt like one.) He was gentle, kind, and patient with me as I learned the music — which wasn’t too hard for me, as even then I was quick on the uptake and an excellent sight-reader — and how to get along with the people in the band.
He encouraged my talents, to the point that I played oboe solos in front of the band, then later a clarinet duet, a saxophone solo, and finally a clarinet solo before I was off to my first undergraduate school. (Me being me, and more importantly being married to a guy who was then an Army Reservist and later in the active-duty Army, I needed to go to three different colleges/universities to finish my degree.) He also added in twelve bars for an improvised solo when I played “Harlem Nocturne” with the band, so it sounded a little jazzier and helped to give me a better experience as a musician.
My tale picks back up approximately ten years later, when my then-husband and I were back in Racine after his military service ended. Our marriage was breaking up, which I didn’t know then (but can clearly see now), and I needed music as an outlet. (I always had, so why not then?)
Mr. Eisch warmly welcomed me back to the band. (My soon-to-be-ex-husband also joined the band as a percussionist.) He had a need for an additional clarinetist, so would I mind playing clarinet?
I did not mind.
It was interesting, as I got to hear many of the same pieces in a different way than before. I learned how the various parts interrelated and asked Mr. Eisch many questions about music and conducting that he patiently answered. (At the time, I was hoping to eventually be a conductor myself. This is a dream that didn’t come to fruition, but the knowledge I gained was still invaluable.)
When I finished my Bachelor’s degree at the University of Wisconsin-Parkside, I started looking for graduate schools. (I wanted to teach in college, and that was the way forward. Plus, I wanted to learn even more about music, harmony, melody, music theory, music history, etc., as I loved everything about music.) I discussed the merits of them with Mr. Eisch, along with several other wonderful musicians in the band; eventually, I decided on the University of Nebraska-Lincoln.
Once I finished my degree there (it took me a few additional years due to family health concerns), Michael and I married. We knew we’d go back to his home in San Francisco sooner or later, so I didn’t rejoin the band at that time.
A few years passed. Michael and I had moved to Iowa. I’d looked into perhaps going to the University of Iowa as a doctoral student, once I qualified for in-state tuition…then Michael died, suddenly and without warning.
I have to include this, to explain the rest.
I didn’t feel like playing my instruments for years. I rarely composed any music, either. It was hard to write. Hard to do anything. I barely even recognized myself in the mirror, I was so upset.
So, because of that, I didn’t attempt to rejoin the band, or even find out if they might have a use for me.
I did, however, rejoin the Parkside Community Band in October of 2011 (not too long before my good friend Jeff Wilson passed away). And doing that led me back to the Racine Concert Band, where Mr. Eisch was now the band’s business manager (and conductor emeritus).
Mr. Eisch and I had several conversations along the way, once I rejoined the band. Some were to do with the band and its need for funding and fund-raising. Others were about life, and about loss, and about faith, as well as music.
Mr. Eisch then retired as business manager, and completely stepped away from the RCB. We did see him at concerts for a few years after that…then COVID hit.
Anyway, the last time I saw Mr. Eisch was earlier this year. I was going into Ascension All-Saints Hospital for an appointment; he was coming out of there, being medically discharged. He was happy to see me, and I was happy to see him; he asked how I was doing, how my family was doing, and asked me to tell my parents that he’d said hi (as he knew them both well, too, especially my Dad as he played in the RCB for ten years, himself, as a drummer).
I didn’t know that would be the last time I ever saw him, or I would’ve told him just how much his kindness and dignity and example had meant to me, along with all of the musical knowledge he’d imparted along the way.
Mr. Eisch was a very kind man. He was also a gentle man, in the best of senses. He loved music, of course he did, but even more so, he loved his family and friends.
Good men, good people, are sometimes hard to find. But when we get a chance to be around them, we hopefully reflect the light they can’t help but give out a little brighter. Then that light goes on, and on, and still on, for as long as people last…or at least as long as our memories do.
I truly hope that his widow, Anne, will be comforted by his memory. Always.
*****
An Addendum: I wrote this today, on the eighteenth anniversary of my beloved husband Michael’s death, because I wanted everyone to know just how much Mr. Eisch meant to me.
Michael only met Mr. Eisch once, I think. We were at the grocery store, or maybe at the mall…anyway, he did meet Mr. Eisch, and told him it was a pleasure to meet one of my formative influences.
I’d like to think that Michael again met with Mr. Eisch in Heaven, Eternity, or whatever The Good Place (TM) truly is, and that Michael has passed on what I’ve just said — as he knew I felt this way, because he knew me extremely well — just in case Mr. Eisch still did not know it.
Eric Flint dies at 75, and his wife Lucille needs help
Folks, Eric Flint passed away yesterday due to a long illness. He was a brilliant writer, an interesting soul, and a kind-hearted man — the last needs to be pointed out at great length, as most people focus on the other two.
I only met Eric Flint and his wife Lucille once. It was in 2002, not long after I married Michael. At that point, Michael and I were both trying to figure out how to write together, as our writing styles were about as opposite as can be imagined.
Anyway, it was a Barfly gathering, in Chicago. Many others were there. Some knew we’d just gotten married. (I don’t know if Eric did, but at least a few of ’em did.) We weren’t saying much (observers R us, or at least we both were), but were taking in as much information as we could.
I somehow got enough energy and gumption to ask Eric how he wrote so well with disparate people. (At that time, he’d worked with David Weber, Dave Freer, Mercedes Lackey, K.D. Wentworth, and I think he was in the process of working with Ryk Spoor. This was not long after his landmark novel 1632 was published.) I told him that my writing process was far different from my husband’s, yet we wanted to write together. How could we do that?
I figured Eric had the answer, and he did.
Eric said that the way to collaborate with someone is to play to their strengths. If someone writes fast — such as Dave Freer — work with that and add what you can. If someone needs more time and thought — as did Michael — let him add what he could. Otherwise, try not to step on each other’s toes, and remember to have fun…I’m pretty sure he said all that, and if not, he probably meant to say all that (so I’ll attribute it to him anyway).
This made a huge difference to us. We knew we could do it, you see, but we needed the right words from an expert to let us know it was OK to fail. (This may seem counterproductive, but bear with me.) If one of us could write faster than the other (believe it or not, that person was me), the other could take his time and add what he wanted. If the other needed to write things in longhand before transcribing them to the computer, that was fine…if he wanted my help, I could slow down just a little, and help him out.
This was very, very important to know. And it grew more important after Michael died, because I now was looking at a bunch of stories that Michael left in progress, wondering how I could possibly finish them and do justice by them. (I’m still working on that part.)
Anyway, I mention all of this because Lucille, Eric’s wife, needs help now. Eric was ill the last year or so, and while he plateaued out for a while, he wasn’t able to do much writing. (He did encourage people right up until the end, though. That counts more than anyone can possibly know.) Without being able to write, the income stream narrows…without being able to write, the writer is in danger of people forgetting all about them (though I find it hard to believe anyone could forget about Eric Flint, maybe he worried about that as he was human and it’s a justifiable worry). And without being able to write, the writer gets frustrated, stymied, wondering what in the Hell has gone wrong — just because health has intruded, why does that mean we can’t write?
(That’s how I see it, anyway. I can’t ask Eric anymore to know if that’s how he did.)
At any rate, Eric Flint was a very generous soul who cared about others and nurtured many fine writers along the way. He also was a very good husband to Lucille, and as I understand how it feels to be suddenly widowed and in need of help, I wanted to make damned sure I passed along this link so you could go help her out.
This is the link: https://gofund.me/6b66d7f6
If you can’t donate now, share the link as far and wide as you can.
And please, please, stand with the widows and widowers in your life, most especially right after they’ve been widowed. They need much care and love and concern, most particularly because they are unable to care or love or take any concern about themselves due to their bereavement.
To The Grieving…Some Thoughts
Folks, I have written about this subject before, most notably here, here, and here. And I’ve also pointed out the many difficult problems when it comes to grief in a few essays, most notably this one on Lois McMaster Bujold’s GENTLEMAN JOLE AND THE RED QUEEN and this one on Debbie Macomber’s HANNAH’S LIST. But I have even more thoughts on the subject of grief, so…here we go again.
Grief is incredibly hard to deal with. I know I’m not telling you anything new. But it’s because I want to give some sort of comfort that I’m writing again about grief, loss, and the frustrations at expressing all of it in words, in the hopes that someone out there will understand that he or she is not alone.
I have a number of friends who are grieving. Some are recent widows and widowers. Some have been widows and widowers for quite some time. But all are hurting, because their spouses and the loves of their lives are not here on this Earth anymore. Yet they are left behind, powerless to do anything except remember what was, and what never will be again. And none of them, not one, knows what to do except putting one foot in front of the other, because it hurts so badly to go on when you’ve sustained such a deep loss.
I don’t believe in platitudes or weasel-words. So I refuse to say that eventually it’ll get easier to handle the loss of your spouse to anyone. Especially as I haven’t found it to be such at all.
But I can give at least a little comfort to those of you who are suffering, because I’ve been through it. (Sometimes, still going through it. One slow step at a time.) I do understand where you are, why you hurt so badly, and why you’re angry that you’re in this place at all.
Death comes for us all, yes. But sometimes it comes so early, it’s impossible to process. As advice columnist Carolyn Hax of the Washington Post put it recently, “Here we were, thinking we were X. And now the universe says, ‘nope, now you’re going to be Y.'” (My elaboration on that theme is, “And too bad that you enjoyed being X, ’cause you’re not going to get to be X again.” So no wonder why we hate it, no? But I digress.)
What I have found is that over time, I can handle the pain a little better.
But I’m not going to lie. I still hate it. The man who understood me, loved me, and appreciated me the most in all the worlds and time is on the Other Side, and I am still here. I defy anyone to tell me why this is a good thing.
Yet I have also figured out — slowly, painfully, and painstakingly — that as long as I live, at least a part of my husband lives on in me. (In the “two shall become one” sense, if nothing else.) And that gives me great comfort.
But I want to say one more thing to those of you grieving right now. (Ready?)
Your life matters. Not just because you were the spouse of someone wonderful who’s passed on to eternity. But because you, yourself, are an incredible person with much to offer the world. And unique gifts of your own that your spouse, were they here to tell you, would want you to continue using to the best of your ability.
I know it doesn’t feel like that now. It can’t. You are hurting, you wonder what in the Hell the point is, and you wonder why on Earth you’re still here when your spouse isn’t.
But it’s still the truth.
You matter. And as long as you live, you can still affect the outcome at least a little bit, while keeping the memory of your beloved spouse alive.
So walk on, with your memories and your love intact. And never listen to the fools and idiots out there who may say “get over it” and “move on,” as those are both impossible and irrelevant to the grieving process.