Barb Caffrey's Blog

Writing the Elfyverse . . . and beyond

Archive for the ‘Changing Faces’ Category

Read an E-Book Week Continues. More Freebies for You Await!

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Folks, as I said yesterday, it’s Read an E-Book Week. And my publisher, Twilight Times Books, is giving away multiple books — but only at its website

Schooled in Magic; Read an eBook Week 2020

As stated above, my publisher, Twilight Times Books, is offering quite a few free e-books during 2020’s Read an E-Book Week — including two of mine (in the first two days of the promotion, no less), plus a few from my friends Chris Nuttall and Loren Jones. Not to mention other TTB authors I’ve worked with, like Ken Lizzi and Christine Amsden…really, you can’t go wrong with any of these e-books.

And best of all, they’re free.

All you have to do is go to this website, and pick what type of file you want. (That’s it!)

Note that they are only available at the Twilight Times Books website’s freebies page, not at Amazon, not at Barnes and Noble; you must go to this link to get your free books. (Now back to our regularly scheduled post, already in progress…)

By the time you read this, AN ELFY ON THE LOOSE probably won’t be available. But CHANGING FACES, my third and most recent novel, will be…and I hope you will go there, download the book, and give it a try.

All I ask, folks, is that you download books you like and want. (I hope mine are among them, of course. But there are so many other good ones there, as I’ve said before.) Then, go review them at Amazon, or at Barnes and Noble, or anywhere you see them listed; say you received a complimentary copy if you like, even.

But do go there, and do download the stuff. And then do read, read, read!

Anyway, the site, again, is at Twilight Times Books. It’s their “freebies” page. And it’s right here, in case you need the link (again).

Enjoy!

Written by Barb Caffrey

March 2, 2020 at 5:18 am

Thoughts for Valentine’s Day: What Love Is…and Is Not

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I keep meaning to write this, every single Valentine’s Day. And then I never do. So I guess today’s the day…enjoy?

In my writing, I’ve tried to show what I believe love is.

In the Elfyverse (so far comprised of AN ELFY ON THE LOOSE and A LITTLE ELFY IN BIG TROUBLE; more to come), it’s care, compassion, support, loyalty, friendship, and many other things that lead to intense romantic feelings for the young Bruno and Sarah. Bruno had a good marriage modeled for him by his late parents; Sarah’s parents did not give her good models, but her grandmother at least gave her someone to love who was worth the time.

Mind, even with that, love is a work-in-progress for the two of them. And I think that’s something we all deal with, as we go. It’s not like being in love waves a magic wand over you and says, “Now, everything will be wonderful.”

Instead, what love does is to make any problems that befall you far more bearable to deal with. Because you’re not alone anymore. You are supported. You are appreciated. And you are understood. (Or it’s not the love you’ve been looking for…but more on that, anon.)

Problems come to everyone, you see. And it’s how you communicate that helps you deal with them. Or not.

Bruno and Sarah, despite their tender ages, both know that. And they’ve made the commitment to stand by each other, to love one another, to appreciate each other’s differences as well as each other’s things in common…they’ve done what they need to do, in order to forge a strong bond between them.

But that’s not my only take when it comes to love. Far, far from it.

In CHANGING FACES, my stand-alone LGBTQ-friendly fantasy romance, Allen and Elaine’s plight is different. They know they love each other, and they can communicate well…except for one issue, that being Elaine’s gender-fluid nature. Allen knows Elaine considers herself bisexual (and monogamous! She’s not about to sleep with anyone but Allen, regardless of what her outer self looks like.) But he doesn’t know that Elaine considers her gender to be fluid, especially as Elaine likes the pronoun “she” and is a feminist scholar. And when he finally finds out, both he and Elaine don’t know how to handle it. But eventually, they find a way. (I hope that’s not too much of a spoiler for you, but if you are a long-time reader of romances, you know most of ’em go for happily-ever-afters. So why can’t mine?)

What I was trying to get at, in CHANGING FACES, was that love can conquer anything. But that you have to be willing to be vulnerable. You have to be willing to tell your partner, “Hey, I’m like this. Can you deal with it?” And if you’re really ambitious, you can be even more vulnerable and admit, “I’m not so sure I can always deal with it. But I appreciate that you have my back while I try.”

These are hard things to do. They’re very adult things.

So, while Bruno and Sarah are young adults and are finding their way — fortunately! — through a meaningful and deep love, Allen and Elaine are older and yet still have some of the same issues going on. I did that on purpose, because I think no matter what your age is, you’re going to have issues. And it’s how you deal with them that matters.

Either way, though, they show what love is. Commitment. Shared sacrifice. Honesty. Communication. Vulnerability. Loyalty. The willingness to laugh at yourself when needed, or with your partner as needed. The ability to say to yourself, “I don’t have to be perfect every day,” and of course that your partner doesn’t have to be perfect either, in order to be loved for who you are. To keep trying to communicate, even when it’s hard. To keep doing whatever you can, as long as you can, as often as you can, to let your partner know that you care, you appreciate them, you want them in your life, and you are going to do whatever you can to facilitate that so long as they feel the same way.

As I’ve heard it said, a romantic commitment takes 110% from each partner. I think that makes sense. (Though if you are a mathematician and are pointing out that it can’t be more than 100%, that’s OK, too. Just so long as you give your all, and your partner gives his/her all, that’s what matters. Not the number we put to it.)

Before I go, I want to talk about what love decidedly is not.

It’s not about gifts. It’s not about wealth, or fancy cars, or how big the bouquet of flowers is on any given day. It’s not about fancy restaurants (though I’m all for them, when possible); it’s not about what you can get from your partner.

Instead, it’s about what you give.

I hope most of you realize by this point that love is a two-way street, one you both want to be on at the same time and in the same place. And that anything else is not worth the price.

But if you’re doing all the giving in your relationship, and your partner is doing all the taking, that is not a love-relationship I’d want to have.

Anyway, I hope this has helped you figure out what’s worth it in a relationship, and what isn’t. And why I still think love matters more than anything…even though aside from the love of friends and family (predominantly agape love), I haven’t had it in over fifteen years.

Written by Barb Caffrey

February 14, 2020 at 10:33 pm

Want to Read Some of My Books, Free? (Here’s How…)

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Schooled in Magic; Read an eBook Week 2019Folks, we’re almost into Read an E-Book Week, which is held from March 3 to March 9, 2019. Two of my books will be given away by Twilight Times Books if you go to their site here, one on the third (tomorrow!), one on the fifth.  So, if you have ever wanted to read something by me but have not had the money to do it, now is the chance to check out what I’m doing.

For nothing.

(Nada. Zero. Zilch. You get the point.)

At the Twilight Times Books freebie site (again, the link is here), AnElfyontheLoose_medyou can download my first novel, AN ELFY ON THE LOOSE, on March 3. (Again, that’s tomorrow, though you may be able to get it now if you’re reading late on Saturday night as the links appear to be open and active.) You will have your choice of a PDF file, a .mobi file (that’s for Kindle), or an e-pub file (that’s for just about everything that’s not Kindle). I’ve talked a good deal about AN ELFY ON THE LOOSE here at my blog, so I’ll only say this about it: It’s funny fantasy with two young kids who aren’t what they seem, and there are layers and layers to it. You may meet a few ghosts, too…

Anyway. There are other folks also giving things away that you should know about.

For example, you also can download my friend Loren K. Jones’ first book in his story about Stavin DragonBlessed, ALL THAT GLITTERS, on March 3. I edited Loren’s book, and it is a lot of fun. If you give it a chance, you’ll enjoy it, especially if you like military realism with your fantasy.

And that’s not all. Loren is giving away his book STORIES OF THE CONFEDERATED STAR SYSTEMS as well, and not just on March 3…but all week long.

And as if that weren’t enough, you also can download my friend Chris Nuttall’s first novel in his Schooled in Magic series, also titled SCHOOLED IN MAGIC, all week long. I also edited this book, and am happy to point people to it as I believe it’s one of Chris’s best books to date. (Though I am also partial to several others, this is the one that started it all.)

“But Barb,” you say. “What about your second book? The one you’re giving away on March 5…what book is that?”

That book is CHANGING FACES. It is a contemporary fantasy/CHANGING FACES coverromance between a straight male clarinetist in graduate school, his bisexual (and, secretly, gender-fluid) girlfriend, also a clarinetist and in graduate school, and two meddling, but mostly good-hearted angels. They mix in because the female half of the pair (and yes, despite being gender-fluid, she uses female pronouns to describe herself all the time) is afraid to tell her boyfriend that she is gender-fluid and wants to explore a more masculine self-image. This isn’t what he signed up for, and while he loves her desperately, he doesn’t know if he can handle her presenting as male, or possibly even going as far as having surgery later to confirm her believe in her masculine side. (She is more than a little confused, herself, about all this, at least how to describe it. She knows how it feels to be who she is, but living her truth is not easy.) So, she’s going to leave her boyfriend, even though she loves him, and he prays that he will do anything, absolutely anything, so long as he gets another chance with her.

That “anything” ends up with him in her body, now a straight man in a woman’s body (definitely transgender), and her in his body in a coma is also not what he expected. And he can’t tell anyone what happened…while she’s forced to deal with herself and her demons, as only that way can she wake again and try with her boyfriend, this time with the outward masculine identity she felt she needed (even though she’s always going to be who she is).

The angels are funny. The music is inspired. And the two main characters, Allen and Elaine, are deeply in love, but aren’t too good at communicating with each other…and yet, they both want to try. So the angels give ’em this chance…can they realize that even though their faces have changed, their love remains?

I hope you will remember to go to the TTB Freebies site often this week, and download as many books as you want. Every day, new books will be given away, to let people know we’re here, we have good books to offer, and we hope folks will give us a chance.

There’s also a general site (not run by TTB) for Read an E-Book Week on Facebook here. More publishers will be giving things away there…lots of stuff to choose from, so maybe you can mix and match?

Enjoy!

Written by Barb Caffrey

March 3, 2019 at 12:01 am

Well, blast…

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Folks, I don’t know what happened, but the link for my blog about CHANGING FACES for the Marketing for Romance Writers’ BookHooks promotion vanished into the ether.

As I said on Twitter a few minutes ago, sometimes I think my writing is cursed, and that folks will never find it.

The good news is, I don’t think that for very long, and I keep trying anyway…(that is good news, right?)

Anyway, I have Tweeted, and maybe some folks will find the blog who didn’t before. And my hope is that someone out there will find CHANGING FACES, enjoy it, and realize that while I probably didn’t get everything right about the transgender and gender-fluid experience, I at least took it seriously. Love is love, and I would rather take risks and take chances than not.

(Of course I talked with trans friends, and had a couple of trans beta readers. I did everything I could to get it right.)

Sometimes, in this world, I think we’re afraid to try to say something because we’re afraid we’ll get it all wrong. So we stay silent. And that’s not good.

I’ve vowed that if I can add to the conversation, I’m not going to stay silent. There are still some things I may not talk about, because other writers have covered the same angles I thought about…but I refuse to muzzle myself because I may get something wrong.

That’s no way to live. And it’s no way to learn anything, either.

 

Written by Barb Caffrey

February 13, 2019 at 3:06 pm

A Little CHANGING FACES for #MFRWhooks and #MFRWauthor RT Day!

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Folks, it’s Wednesday, February 13, 2019. We’re one day away from Valentine’s Day, and as it’s also Marketing for Romance Writers ReTweet Day, I’ve decided this week to take part in another MFRW promotion, that being Book Hooks…the two together should help to get the word out about CHANGING FACES, my most unusual LGBT-friendly romance…

mfrw-book-hooks400First, a bit about the Marketing for Romance Writers organization. It is made up of a bunch of writers who work together, for free, to help learn about effective ways of book promotion. In that vein, MFRW sponsors both Book Hooks (short snippets of books to whet your interest, and as it’s a blog-hop, you should find something you like from one of the writers if you just keep hopping about the ‘net) and a once-a-month #MFRWauthor ReTweet Day. As I’ve been a member of MFRW for umpty-ump years, I’m happy to take part in this whenever I can…and what better day than the day before Valentine’s Day to talk about the enduring power of romance?

So, without further ado, here’s a bit from my own CHANGING FACES:

CHANGING FACES coverWhen we got back to our building, instead of going up to our apartment, we went down into the underground parking garage. We got into my old, reliable Ford Escort, and I put the key into the ignition; traitorously, the engine turned over on the first try.

As we sat in the frigid air waiting for the car to warm up, I turned to Elaine. “I am glad you told me what upset you so much, even though I don’t understand it. I’ve known something was wrong for months.”

“I tried to say something, but I didn’t know how,” she said in a very small voice. “I just feel all wrong, inside.I don’t know how to explain it.”

“There’s nothing wrong with you at all, love,” I told her. “You’re a good person; the best. You didn’t deserve what happened to you in Florida. And not all men are like those jerkwads.”

“You know, you can say asses, if you need it.” Elaine puffed a laugh. “I’m not that much of a prude.”

“Asses isn’t strong enough for them. And I’m trying to be polite,” I said through clenched teeth. Then I tried again. “Look, love. You are the same person regardless of what you look like, whether you present as male or female. I will always love you. I’m not about to abandon you. I just don’t understand why, if Ruby Rose can stay in her body as a gender-fluid person, you can’t stay in yours.”

Elaine’s gloved hand reached out, but before we actually touched, she drew back. “I wish I could explain it, Allen. It’s like a compulsion; now that I’ve told the truth about myself, I need to find out where that truth leads. And I’m not sure where that path is going to go.” Her deep brown eyes filled with tears. “I don’t want to deceive you. I love you too much for that.”

“Honesty is important,” I agreed. “Even so, how do you know that it’s not just your depression talking?”

“I am depressed,” Elaine admitted. “But it’s mostly because I don’t feel right in this body. I have never felt right in this body, and the longer I go on in this body, the more wrong I feel!”

The car had warmed up enough now, so I couldn’t delay this any longer. “Just-don’t leave me, Elaine. Let’s try to talk this out.” I turned onto the dimly-lit street, and started to drive.

Elaine sat, silently, next to me, for blocks. Then, she said, “If you can’t accept me as myself, in whatever body I might have down the road, how can we stay together?”

“All I’ve said is that I don’t know if I can accept you in a male body. I would find it hard to make love to another man.” I swallowed hard, adding, “I’ve tried to put myself in your place, and I can’t do it. I don’t know how it feels to be transgender. I do know how it feels to be in love with you. I don’t want to lose you. I’ll do whatever it takes. But I want you to go to counseling-isn’t there a very long period of counseling you have to go through, before you change sexes outwardly?” I seemed to remember that from Chaz Bono’s story; that had been discussed often, a few years back. “And you don’t like going to counseling as it is!”

“I’ve not run into good ones, thus far.” Elaine turned her head to look out the window.

I glanced that way, and saw ice hanging from the trees just off the street. Was that a rainbow prism at the edge of my vision? I told myself I was just seeing things, and kept driving.

“Mind, Jolene asked me the very same thing, earlier.” Elaine said, sounding very far away. “I told her I’ll start counseling after Christmas.” Then, she smiled wryly, a brief twist of her lips. “She told me to marry you and stop putting you off, too.”

“I knew I liked Jolene.”

We shared a laugh. Then I blurted out what I’d been thinking all the while.

“Elaine, please-I need you in my life. I love you so much. I don’t care what you look like; I care that you’re you. Please don’t leave me.”

###

If you enjoyed that–and I sincerely hope you did–here’s a bit more for you about CHANGING FACES plus a few links to help you buy an e-book copy (which, BTW, is only ninety-nine cents in the US, ninety-nine pence in the UK):

Allen and Elaine are graduate students in Nebraska, and love each other very much. Their life should be idyllic, but Elaine’s past includes rape, neglect, and abuse from those who should’ve loved her—but didn’t, because from childhood, Elaine identified as transgender.

When Elaine tells Allen right before Christmas, he doesn’t know what to do. He loves Elaine, loves her soul, has heard about transgender people before, but didn’t think Elaine was one of them—she looks and acts like anyone else. Now, she wants to become a man and is going to leave.

He prays for divine intervention, and says he’ll do anything, just please don’t separate him from Elaine…and gets it.

Now, he’s in Elaine’s body. And she’s in his. They’ll get a second chance at love.

Why? Because once you find your soulmate, the universe will do almost anything to keep you together—even change your faces.

Amazon US: https://www.amazon.com/Changing-Faces-Barb-Caffrey-ebook/dp/B01N3CQKWJ

Amazon UK: https://www.amazon.co.uk/Changing-Faces-Barb-Caffrey-ebook/dp/B01N3CQKWJ

Barnes and Noble: https://www.barnesandnoble.com/w/changing-faces-barb-caffrey/1125707044

Now, please take a look at these other authors, also a part of #MFRWorg, and see if anything there interests you, too!

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Written by Barb Caffrey

February 13, 2019 at 6:00 am

“Changing Faces,” the Fall Book Fair, and Transgender Men…

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Recently, at the Washington Post, I read an article about how transgender men have seen differences in how they are treated based on their outward appearance. Born in a woman’s body, and then becoming the male they feel themselves to be inside, causes them to see the world in a completely different way than others.

When I read this, it reminded me of my character Elaine Foster from CHANGING FACES.

Why? Well, here’s a quote from that article.

From Zander Keig, a trans man from San Diego:

Prior to my transition, I was an outspoken radical feminist. I spoke up often, loudly and with confidence. I was encouraged to speak up. I was given awards for my efforts, literally — it was like, “Oh, yeah, speak up, speak out.” When I speak up now, I am often given the direct or indirect message that I am “mansplaining,” “taking up too much space” or “asserting my white male heterosexual privilege.” Never mind that I am a first-generation Mexican American, a transsexual man, and married to the same woman I was with prior to my transition.

So, you’re the same person. You have only changed how you look, outwardly. And now, you’re accused of “mansplaining.” Or worse, “asserting (your) white male heterosexual privilege,” even when you aren’t anything of the sort (as Zander isn’t).

And Alex Poon (only 26 to Zander’s 52) says in this same article:

My voice has started cracking and becoming lower. Recently, I’ve been noticing the difference between being perceived as a woman versus being perceived as a man. I’ve been wondering how I can strike the right balance between remembering how it feels to be silenced and talked over with the privileges that come along with being perceived as a man. Now, when I lead meetings, I purposefully create pauses and moments where I try to draw others into the conversation and make space for everyone to contribute and ask questions.

What Alex seems to be doing is trying to strike a happy medium, but admits there are privileges here and that he’s not used to them.

portrait in gardenHow does this relate to my novel CHANGING FACES? Well, Elaine is transgender because she’s always felt wrong in her body. And yet, she’s also gender-fluid, so if she became male, what would happen to her? Would it be easier, harder, or what? And how would you be the same person — as you are the same soul — in a different body?

The way I solved this (and created more problems) was to put Elaine and her heterosexual boyfriend Allen in each other’s bodies due to a car accident. Now they’re both transgender, but as Elaine was deeply damaged due to early abuse and rape before she ever met Allen, she’s in a coma, talking with a higher being who may as well be an angel. (This being, Moe, is neither male nor female, and comes from a long line of Amorphous Masses. So Moe can be anything Moe wants to be…more or less.)

This article in the Post reminded me that the person you are stays, regardless of how you are perceived. But that perception of who you are can change everything for you on the outside…and that can be a gift, or a curse, depending. (One of the other men, who’s African-American, has said it’s much harder to be a man in some ways than a woman, due to how African-American men are treated by the police.)

I had an interesting time with Allen, once he ended up in Elaine’s body. He still wanted to be with Elaine, no matter what body she was in (providing she wakes up from the coma, of course). But being seen as a beautiful woman rather than a geeky heterosexual male was a real problem for him; he’d never had to worry before about half the things he now must, and it all but precipitates a nervous breakdown in the poor man.

My hope in writing CHANGING FACES was that people would maybe understand each other a little better after reading this. But I especially hoped, as a woman, that other women would read about Allen’s struggles and feel his plight…and be able to put themselves in Allen’s shoes. (That I hoped a few would do this for poor Elaine, too, was a given. But don’t forget about Allen, as they come as a set.)

Yesterday, Viviana MacKade’s Fall Book Fair (which I’ve talked about all week) finished up with several young adult and new adult books, including CHANGING FACES (which counts as new adult as we’re dealing with college students). All of them are ninety-nine cent e-books. And at least one of them may tickle your fancy, even if my own quirky take on LGBTQ relationships does not.

(Though I hope it’ll do some good for someone out there. Or I’d not have written it at all.)

So do take in the Fall Book Fair, even though it’s now — technically, at least — over. The post is still there. The books are still there. And there are fifty books from the entirety of the week to choose from, all priced at just ninety-nine cents.

My Musical Journey (A Collaboration with a Purpose Post)

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Folks, World Music Day is later this month, June 21st to be exact. And the folks at Collaboration with a Purpose decided to write about what music is, why it matters, and why we care about it in our own words.

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I’m a musician. If you’ve read my blog for any length of time, you likely know this. I play the clarinet, the saxophone, and the oboe. I also compose music, though mostly for myself, and tend to think first in music, and only later in words.

I’ve played instruments since I was ten or eleven years old. Music always called to me. I loved the sound of a saxophone in particular, and remember telling my Mom that I would play that someday. (When my teacher in graduate school, Dr. Fought, said to me that the saxophone sounded the most like a human voice, I agreed with him. Perhaps that’s why I insisted I’d play it.) Whether it was someone like Clarence Clemons wailing away with Bruce Springsteen’s E Street Band or later, jazz musician Art Pepper’s clear and beautiful sound with advanced and interesting harmonic and rhythmic melodies (yes, you can have it all!), I was hooked.

So why did I end up on the oboe first, then?

I think they needed oboists, as it’s difficult to play well. (One of the common sayings, at least among musicians, about the oboe is that “it’s an ill wind that nobody blows good.”) And no one was going to tell me I couldn’t play a difficult instrument…that’s where psychology came into play, I suppose. (But I was only eleven, at most. You can see why this might appeal?)

I learned all sorts of things about the oboe. It has a beautiful sound if played well, a distinctive one, and for whatever reason, the sound I could get was a bit lower than most, tonally — this is very hard to explain in words, so bear with me — and a bit closer to the sound of an English horn, according to a few of my music teachers.

Personally, though, I think the reason my sound on the oboe was a little different was because I wanted to play the saxophone. And I wanted my oboe playing to be different, interesting, and memorable; I learned how to play jazz on the oboe, even, as there was one musical group — Oregon — that had a jazz oboist.

“But get to picking up the sax, Barb! That’s what we want to hear about…”

Yeah. Well, I wanted to play in jazz band. But they didn’t have arrangements for a jazz oboe player. And my band director, Mr. Stilley, believed that I could pick up the sax in a month or so. The school had an awful alto saxophone available to play; it was held together by string and tape. But I didn’t let this stop me, and I did indeed learn how to play the sax in a month as some of the skills I already had were transferable.

Then, I took up private lessons with two different instructors: one for the oboe, one for the sax. I found out quickly that the alto sax was the instrument most classical musicians play. Most of the good repertoire, including the Jacques Ibert Concertino da Camera and Paul Creston’s Sonata for Alto Saxophone and Piano, was written for alto rather than tenor, baritone, or soprano saxophones. And of course I learned these pieces, along with one that later became one of my favorites, Alexander Glazunov’s Concerto for Saxophone and Orchestra.

I found that while I loved jazz, I loved classical even more. There were so many different ways to say things in classical music. From Robert Schumann’s Unfinished Symphony to Paul Hindemith’s Symphony for Band in B-flat, from Cesar Franck’s Symphony in D Minor to Beethoven’s Ninth Symphony (and it’s famous “Ode to Joy”), there were so many, many different ways music could be expressed.

And then, there was Debussy, Haydn, Mozart, Bach, Bernstein, Brahms, and the one composer I sometimes loved, sometimes hated: Gustav Mahler. (Mahler’s music can be beautiful. It can make me laugh. And it can make me scratch my head and go, “What the Hell?”)

I listened to jazz, too. And pop music, as I found along the way that I rather liked the diverse influences Alice in Chains, Soundgarden, and even Linkin Park brought to the table. (Linkin Park in particular was a very big surprise, as they combined some aleatoric elements along with rock-rap and solid music theory, with not one but two singers: the late Chester Bennington with his soulful voice that could turn to a scream in an instant and Mike Shinoda, who could rap or sing, depending on what was needed from him.) And Creed, too…something about them hit me, emotionally, and I understood why they became popular on the one hand quickly, and didn’t last on the other.

The best of music evokes emotion, no matter what genre you play or sing or hear. Whether it’s Alice in Chains’ “Rotten Apple” or Soundgarden’s “Fell On Black Days” or Linkin Park’s “In the End” (or, much later, “One More Light”), or the second movement of Franck’s Symphony in D Minor, or Elvis (my mother’s personal favorite, and for all his fame, a truly underrated emotional stylist), or Art Pepper’s flights of fancy while playing “Over the Rainbow,” it is all about emotion.

See, words can only take you so far. Music, with all its complexity, all its chords, all its harmony, all its rhythm, can take you much farther.

It’s because of that, and my own, personal journey, that I decided my hero and heroine in CHANGING FACES were both clarinetists and both would use music as a way to survive incredible pain. Because music can describe things words cannot, music is able to heal a great deal more than words.

And that, I think, is why World Music Day is so important.

So do let music heal you, or inspire you, or at least give you the soundtrack to whatever you’re doing/writing/learning at the time. And let me know what music you move to, in the comments!

Also, please go take a look at my fellow collaborators, who’ve also written interesting takes on the subject (links will be posted as they go up, as per usual):

Nicolle K. — Intro Post

Nicolle K. (coming soon)

Sadaf Siddiqi — “A Musical Tribute

Mylene Orillo

Sonyo Estavillo